Description
Book SynopsisVision dominates philosophical thinking about perception, and theorizing about experience in cognitive science has traditionally focused on a visual model. In a radical departure from established practice, Casey O''Callaghan provides a systematic treatment of sound and sound experience, and shows how thinking about audition and appreciating the relationships between multiple sense modalities can enrich our understanding of perception and the mind. Sounds proposes a novel theory of sounds and auditory perception. Against the widely accepted philosophical view that sounds are among the secondary or sensible qualities, O''Callaghan argues that, on any perceptually plausible account, sounds are events. But this does not imply that sounds are waves that propagate through a medium, such as air or water. Rather, sounds are events that take place in one''s environment at or near the objects and happenings that bring them about. This account captures the way in which sounds essentially are crea
Trade ReviewReview from previous edition Sounds is impressive. It is carefully argued and well-written. . . . In addition to presenting a novel theory of sounds, he sets a stage on which other theorists must perform by articulating challenges that any account of sounds must meet. This book will be of interest to anyone working in the philosophy of perception. . . . Philosophers have a lot to learn by attending to distinct sense modalities and how they interact, and O'Callaghan's book is an excellent place to start. * John Kulvicki, Mind *
The prose and arguments are very clearly framed and the book reads well ... There is much to tweak one's interest. * Don Ihde, International Journal of Philosophical Studies *
A great deal of effort has been expended within both of these excellent books in order to contribute to the transformation of the philosophical study of sound and auditory perception ... as an exercise of paradigm-shifting and consciousness-raising, the potential impact of Sounds is huge. * Anthony Gritten, British Journal of Aesthetics, (Review of Sounds and Sounds and Perception) *
Table of ContentsPreface ; 1. Sonic realism ; 2. What is a sound? ; 3. The locations of sounds ; 4. The argument from vacuums ; 5. Sounds as events ; 6. Audible qualities ; 7. Sound-related phenomena ; 8. The argument from echoes ; 9. Echoes ; 10. Hearing recorded sounds ; 11. Cross-modal illusions ; References ; Index
