Description
Book SynopsisJudith Herman has noted that 'the most common post-traumatic disorders are those not of men in war but of women in civilian life.' How have women survived, both individually and collectively, in the face of unimaginable trauma?
Trade Review"Recommended for academic libraries." - Library Journal
"Henke's book introduces fascinating questions about trauma in women's lives, and the possible drive toward creative writing involving 'self healing.'" - Biography
"Henke's arguments are consistently insightful and convincing and the glimpses she allows us into the lives of these women are always fascinating." - Canadian Literature
"...Henke has given us a richly detailed map...which readers of life-writing, feminist cultural production, and trauma studies alike will gratefully refer." - Tulsa Studies in Women's Literature
Table of ContentsIntroduction PART I: COLLETE'S AUTOFICTIONS: GENRE AND ENGENDERMENT The Earthly Paradise My Apprenticeships: The Specter of Willy Break of Day Postscript PART II: H. D.: PSYCHOANALYTIC SELF-IMAGING The Gift Adult Trauma and the Madrigal Cycle: Asphodel and Bid Me to Live PART III: ANAIS NIN'S INTERIOR CITIES: INCEST, ANXIETY AND FATHER-DAUGHTER LOSS FATHER-DAUGHTER LOSS Father Loss and Incest Daughter Loss and Maternal Anxiety Narrative Recovery PART IV: JANET FRAME'S NEW ZEALAND AUTOBIOGRAPHY : A POSTCOLONIAL ODYSSEY PART V: AUDRE LORDE'S AFRICAN-AMERICAN TESTIMONY Biomythography: Zami: A New Spelling of My Name Autopathography: The Cancer Journals and A Burst of Light PART VI: SYLVIA FRASER'S MY FATHER'S HOUSE : A CANADIAN MEMOIR OF SEXUAL TRAUMA AND NARRATIVE RECOVERY Conclusion Notes Works Cited and Consulted
