Description

Book Synopsis
Theatremakers in the United States have long been drawn to madness as a source of dramatic spectacle. This book offers a dynamic account of stage musicals’ engagement with historically significant theories about mental distress, illness, disability, and human variance in the United States.

Trade Review

“An original piece of work that addresses a notable gap in the field . . . Seriously Mad not only brings madness and musicals into dialogue but forges important ground in terms of the serious exploration of musical theater practice . . . Grinenko takes interest in the ways in which psychoanalysis shapes theatrical practice but also the broader cultural atmosphere around ‘broken’ minds.”—Anna Harpin, University of Warwick

“Reveals the complicated—and yet often repeated—intersection of musical theater and contemporaneous understandings of mental illness, in examples spanning decades. The research spans numerous fields including musical theater and the history of psychoanalysis, which are brought together in an entirely readable and persuasive way . . . The book will have an enormous impact on multiple fields.”—Jessica Sternfeld, Chapman University



Table of Contents
  • Acknowledgments
  • Introduction
  • Part One. Madness in the Mind.
    • “Make a Date with a Great Psychoanalyst…”: Gazing Inward in the Dual Golden Age
    • “Make up your mind! Make up your mind!”: The Neurotic Interior and the Dynamic Unconscious in the 1940s and Beyond
    Part Two. Madness in Society
    • “There Are Heroes in the World…”:Psychiatric Activism, Antipsychiatry, and Political Consciousness
    • “To Dream the Impossible Dream…”: Communities of Madness in the Musicals of the Long Sixties
    • “Is That Just Disgusting?”: Filth, Madness, and the City in Sweeney Todd and Other Musicals
    Part Three. Madness in the Brain
    • “What a Lovely Cure!”: Staging the Interior in the New Age of Diagnostic Psychiatry
    • “Sing a song of forgetting…”: Listening to the Unconscious in Next to Normal
    Conclusion: Contemporary Visions of Madness as Depth Theatre
  • Bibliography

Seriously Mad

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Order before 4pm today for delivery by Fri 13 Mar 2026.

A Hardback by Aleksei Grinenko

15 in stock


    View other formats and editions of Seriously Mad by Aleksei Grinenko

    Publisher: The University of Michigan Press
    Publication Date: 05/10/2023
    ISBN13: 9780472076444, 978-0472076444
    ISBN10: 0472076442

    Description

    Book Synopsis
    Theatremakers in the United States have long been drawn to madness as a source of dramatic spectacle. This book offers a dynamic account of stage musicals’ engagement with historically significant theories about mental distress, illness, disability, and human variance in the United States.

    Trade Review

    “An original piece of work that addresses a notable gap in the field . . . Seriously Mad not only brings madness and musicals into dialogue but forges important ground in terms of the serious exploration of musical theater practice . . . Grinenko takes interest in the ways in which psychoanalysis shapes theatrical practice but also the broader cultural atmosphere around ‘broken’ minds.”—Anna Harpin, University of Warwick

    “Reveals the complicated—and yet often repeated—intersection of musical theater and contemporaneous understandings of mental illness, in examples spanning decades. The research spans numerous fields including musical theater and the history of psychoanalysis, which are brought together in an entirely readable and persuasive way . . . The book will have an enormous impact on multiple fields.”—Jessica Sternfeld, Chapman University



    Table of Contents
    • Acknowledgments
    • Introduction
    • Part One. Madness in the Mind.
      • “Make a Date with a Great Psychoanalyst…”: Gazing Inward in the Dual Golden Age
      • “Make up your mind! Make up your mind!”: The Neurotic Interior and the Dynamic Unconscious in the 1940s and Beyond
      Part Two. Madness in Society
      • “There Are Heroes in the World…”:Psychiatric Activism, Antipsychiatry, and Political Consciousness
      • “To Dream the Impossible Dream…”: Communities of Madness in the Musicals of the Long Sixties
      • “Is That Just Disgusting?”: Filth, Madness, and the City in Sweeney Todd and Other Musicals
      Part Three. Madness in the Brain
      • “What a Lovely Cure!”: Staging the Interior in the New Age of Diagnostic Psychiatry
      • “Sing a song of forgetting…”: Listening to the Unconscious in Next to Normal
      Conclusion: Contemporary Visions of Madness as Depth Theatre
    • Bibliography

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