Description

Book Synopsis
Analysis of improvisation as a compositional practice in the Commedia dell''Arte and related traditions from the Renaissance to the 21st century. Domenic Pietropaolo takes textual material from the stage traditions of Italy, France, Germany and England, and covers comedic drama, dance, pantomime and dramatic theory, and more. He shines a light onto ''the signs of improvised communication''.The book is comprehensive in its analysis of improvised dramatic art across theatrical genres, and is multimodal in looking at the spoken word, gestural and non-verbal signs. The book focusses on dramatic text as well as: - The semiotics of stage discourse, including semantic, syntactic and pragmatic aspects of sign production - The physical and material conditions of sign-production including biomechanical limitations of masks and costumes.Semiotics and Pragmatics of Stage Improvisation is the product of an entire career spent researching the semiotics of the stage and it is essential

Trade Review
A fascinating and scholarly book ... [Pietropaolo] masterfully combines [his] broad knowledge to provide a novel and important analysis of Italian commedia improvisation ... Every scholar of improvisation, who would like to round out their expertise with a knowledge of its medieval Italian variant, will enjoy reading this book. * Studies in Theatre and Performance *
This is a valuable piece of work for readers with an interest in the Commedia dell’Arte tradition, particularly an avid interest in what we know of the descriptive detail of performance improvisation, and would be a relevant addition to the toolkit of scholars and practitioners alike. * Scottish Journal of Performance *

Table of Contents
Acknowledgements 1. Memory and Imagination in Impromptu Performance 2. The Pragmatics of Derision in Commedia dell’Arte 3. Semiotics of the Improvised Performance Text 4. Quidquid in Buccam Venit: The Syntax of Stage Improvisation 5. The Biomechanical Base of Improvisation 6. The Dramaturgy of Improvisation 7. The Pragmatics of Texuality Bibliography Index

Semiotics and Pragmatics of Stage Improvisation

    Product form

    £34.99

    Includes FREE delivery

    Order before 4pm today for delivery by Sat 20 Jun 2026.

    A Paperback by Professor Domenico Pietropaolo

    Out of stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Semiotics and Pragmatics of Stage Improvisation by Professor Domenico Pietropaolo

      Publisher: Bloomsbury Publishing PLC
      Publication Date: 22/01/2016
      ISBN13: 9781474225793, 978-1474225793
      ISBN10:

      Description

      Book Synopsis
      Analysis of improvisation as a compositional practice in the Commedia dell''Arte and related traditions from the Renaissance to the 21st century. Domenic Pietropaolo takes textual material from the stage traditions of Italy, France, Germany and England, and covers comedic drama, dance, pantomime and dramatic theory, and more. He shines a light onto ''the signs of improvised communication''.The book is comprehensive in its analysis of improvised dramatic art across theatrical genres, and is multimodal in looking at the spoken word, gestural and non-verbal signs. The book focusses on dramatic text as well as: - The semiotics of stage discourse, including semantic, syntactic and pragmatic aspects of sign production - The physical and material conditions of sign-production including biomechanical limitations of masks and costumes.Semiotics and Pragmatics of Stage Improvisation is the product of an entire career spent researching the semiotics of the stage and it is essential

      Trade Review
      A fascinating and scholarly book ... [Pietropaolo] masterfully combines [his] broad knowledge to provide a novel and important analysis of Italian commedia improvisation ... Every scholar of improvisation, who would like to round out their expertise with a knowledge of its medieval Italian variant, will enjoy reading this book. * Studies in Theatre and Performance *
      This is a valuable piece of work for readers with an interest in the Commedia dell’Arte tradition, particularly an avid interest in what we know of the descriptive detail of performance improvisation, and would be a relevant addition to the toolkit of scholars and practitioners alike. * Scottish Journal of Performance *

      Table of Contents
      Acknowledgements 1. Memory and Imagination in Impromptu Performance 2. The Pragmatics of Derision in Commedia dell’Arte 3. Semiotics of the Improvised Performance Text 4. Quidquid in Buccam Venit: The Syntax of Stage Improvisation 5. The Biomechanical Base of Improvisation 6. The Dramaturgy of Improvisation 7. The Pragmatics of Texuality Bibliography Index

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account