Description

Book Synopsis
Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre’s historic themes and interrogating forms of literature that have often been ignored by Black feminist theory.

Trade Review
"Searching for Sycorax is unlike anything I have ever read. Brooks’ excavation of Black women’s presence in horror is a ground-breaking, game changing must read for scholars and aficionados alike." -- Susana M. Morris * author of Close Kin and Distant Relatives: The Paradox of Respectability in Black Women's Literature *
"As an avid fan of science fiction, horror, and fantasy, I found Searching for Sycorax's interrogation of the erasure of black women in mainstream horror compelling, timely, and significant." -- LeRhonda S. Manigault-Bryant * coeditor of Womanist and Black Feminist Responses to Tyler Perry’s Productions *
Author Kinitra D. Brooks was featured in an article in The Cut on a similar issue of black women in popular culture, entitled "Beyoncé Is the Leonardo da Vinci of Instagram." -- Emilia Petrarca * TheCut.com *
"A deep exploration how Black women create horror that spawns a new knowledge of the genre that worries the intersections of race and gender to gain a better understanding, and continue the ongoing conversation as well as activity in the Black Women's Horror Renaissance." * Graveyard Shift Sisters *
"BOOK CORNER: Author highlights influence of black women in horror" by Marissa Wells * LA Wave *
"Discusses black women of the Americas and Britain as creators and characters in the horror genre." * Chronicle *
"Students tap into popular culture to explore theories of race and gender" Searching for Sycorax mention * UTSA Today *
"Why Are There So Many Bunnies in Scary Movies?" by Cady Lang - interview with Dr. Kinitra D. Brooks * Time *
"Us Makes Us Look in the Mirror—What If We Don't Like What We See?," by Kinitra D. Brooks * Elle *
Mention in "#StokersSoWhite: 2016-2018, the fall of tokenism at the HWA"
https://sfbayview.com/2019/10/stokerssowhite-2016-2018-the-fall-of-tokenism-at-the-hwa/ * San Francisco Bay View *

Table of Contents
Preface ix
Acknowledgments xv
Introduction. Searching for Sycorax:
Black Women and Horror 1

1. The Importance of Neglected Intersections: Characterizations of Black Women in Mainstream Horror Texts 16

2. Black Feminism and the Struggle for Literary Respectability 41

3. Black Women Writing Fluid Fiction: An Open Challenge to Genre Normativity 56

4. Folkloric Horror: A New Way of Reading Black Women’s Creative Horror 95

Conclusion. Sycorax’s Power of Revision:
Reconstructing Black Women’s Counternarratives 127
Appendix: Creative Work Summary 133
Notes 167
Index 195

Searching for Sycorax Black Womens Hauntings of

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    A Paperback / softback by Kinitra D. Brooks

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      View other formats and editions of Searching for Sycorax Black Womens Hauntings of by Kinitra D. Brooks

      Publisher: Rutgers University Press
      Publication Date: 07/12/2017
      ISBN13: 9780813584614, 978-0813584614
      ISBN10: 0813584612

      Description

      Book Synopsis
      Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre’s historic themes and interrogating forms of literature that have often been ignored by Black feminist theory.

      Trade Review
      "Searching for Sycorax is unlike anything I have ever read. Brooks’ excavation of Black women’s presence in horror is a ground-breaking, game changing must read for scholars and aficionados alike." -- Susana M. Morris * author of Close Kin and Distant Relatives: The Paradox of Respectability in Black Women's Literature *
      "As an avid fan of science fiction, horror, and fantasy, I found Searching for Sycorax's interrogation of the erasure of black women in mainstream horror compelling, timely, and significant." -- LeRhonda S. Manigault-Bryant * coeditor of Womanist and Black Feminist Responses to Tyler Perry’s Productions *
      Author Kinitra D. Brooks was featured in an article in The Cut on a similar issue of black women in popular culture, entitled "Beyoncé Is the Leonardo da Vinci of Instagram." -- Emilia Petrarca * TheCut.com *
      "A deep exploration how Black women create horror that spawns a new knowledge of the genre that worries the intersections of race and gender to gain a better understanding, and continue the ongoing conversation as well as activity in the Black Women's Horror Renaissance." * Graveyard Shift Sisters *
      "BOOK CORNER: Author highlights influence of black women in horror" by Marissa Wells * LA Wave *
      "Discusses black women of the Americas and Britain as creators and characters in the horror genre." * Chronicle *
      "Students tap into popular culture to explore theories of race and gender" Searching for Sycorax mention * UTSA Today *
      "Why Are There So Many Bunnies in Scary Movies?" by Cady Lang - interview with Dr. Kinitra D. Brooks * Time *
      "Us Makes Us Look in the Mirror—What If We Don't Like What We See?," by Kinitra D. Brooks * Elle *
      Mention in "#StokersSoWhite: 2016-2018, the fall of tokenism at the HWA"
      https://sfbayview.com/2019/10/stokerssowhite-2016-2018-the-fall-of-tokenism-at-the-hwa/ * San Francisco Bay View *

      Table of Contents
      Preface ix
      Acknowledgments xv
      Introduction. Searching for Sycorax:
      Black Women and Horror 1

      1. The Importance of Neglected Intersections: Characterizations of Black Women in Mainstream Horror Texts 16

      2. Black Feminism and the Struggle for Literary Respectability 41

      3. Black Women Writing Fluid Fiction: An Open Challenge to Genre Normativity 56

      4. Folkloric Horror: A New Way of Reading Black Women’s Creative Horror 95

      Conclusion. Sycorax’s Power of Revision:
      Reconstructing Black Women’s Counternarratives 127
      Appendix: Creative Work Summary 133
      Notes 167
      Index 195

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