Description

Book Synopsis
A haunting novel that probes the enigmas of time and memory, by Nobel Prize–winning author Patrick Modiano

Trade Review
Scene of the Crime, evocatively translated by Mark Polizzotti, unravels in a bygone Paris enveloped in a fog of déjà vu and vertigo. . . . Modiano, whose writing is heightened by elisions and silent pauses, is a master at creating mood. His Paris is aglow with noirish menace, a perfect palimpsest for [narrator] Bosmans’s memories.”—Anderson Tepper, New York Times Book Review

“Elegiac, bittersweet, ghostly, Modiano’s books are like black-and-white photographs from another century, suggestive of all that’s been lost and the vague traces that remain. . . . Scene of the Crime [is] gracefully translated by Mark Polizzotti. . . . Modiano’s prose is hypnotic, pregnant with mystery, full of dialogue that contains more than it shows.”—Frank Lawton, Telegraph

Scene of the Crime

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A Hardback by Patrick Modiano, Mark Polizzotti

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    View other formats and editions of Scene of the Crime by Patrick Modiano

    Publisher: Yale University Press
    Publication Date: 28/02/2023
    ISBN13: 9780300265934, 978-0300265934
    ISBN10: 030026593X

    Description

    Book Synopsis
    A haunting novel that probes the enigmas of time and memory, by Nobel Prize–winning author Patrick Modiano

    Trade Review
    Scene of the Crime, evocatively translated by Mark Polizzotti, unravels in a bygone Paris enveloped in a fog of déjà vu and vertigo. . . . Modiano, whose writing is heightened by elisions and silent pauses, is a master at creating mood. His Paris is aglow with noirish menace, a perfect palimpsest for [narrator] Bosmans’s memories.”—Anderson Tepper, New York Times Book Review

    “Elegiac, bittersweet, ghostly, Modiano’s books are like black-and-white photographs from another century, suggestive of all that’s been lost and the vague traces that remain. . . . Scene of the Crime [is] gracefully translated by Mark Polizzotti. . . . Modiano’s prose is hypnotic, pregnant with mystery, full of dialogue that contains more than it shows.”—Frank Lawton, Telegraph

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