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Book Synopsis

In 1924, five young Italians founded the Studio Ars et Labor Industrie Riunite (S.A.L.I.R.) with the aim of modernising the ancient art of glass-decorating: Giuseppe D’Alpaos, Decio Toso, Guglielmo Barbini, Dino Martens, and Gino Francesconi. In 1928, the emergence of Franz Pelzel, a Bohemian glass engraver, and Guido Balsamo Stella, an all-round artist, marked the start of the production for which S.A.L.I.R. is most remembered today: contemporary glass-engraving. After Balsamo Stella’s departure in 1932, Franz Pelzel took the lead role of designer, occasionally also executing designs by other reputed artists. Based on the factory’s archives, Marc Heiremans illustrates the artistic evolution of S.A.L.I.R. through numerous drawings and period photographs. As well as being a catalogue raisonné, it is also an in-depth study shedding light on paramount developments in Murano’s glass-making history.

S.A.L.I.R. – Studio Ars et Labor Industrie

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A Hardback by Marc Heiremans

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    View other formats and editions of S.A.L.I.R. – Studio Ars et Labor Industrie by Marc Heiremans

    Publisher: Arnoldsche
    Publication Date: 25/01/2024
    ISBN13: 9783897906938, 978-3897906938
    ISBN10: 3897906937
    Also in:
    Ceramics, mosaic and glass: artworks

    Description

    Book Synopsis

    In 1924, five young Italians founded the Studio Ars et Labor Industrie Riunite (S.A.L.I.R.) with the aim of modernising the ancient art of glass-decorating: Giuseppe D’Alpaos, Decio Toso, Guglielmo Barbini, Dino Martens, and Gino Francesconi. In 1928, the emergence of Franz Pelzel, a Bohemian glass engraver, and Guido Balsamo Stella, an all-round artist, marked the start of the production for which S.A.L.I.R. is most remembered today: contemporary glass-engraving. After Balsamo Stella’s departure in 1932, Franz Pelzel took the lead role of designer, occasionally also executing designs by other reputed artists. Based on the factory’s archives, Marc Heiremans illustrates the artistic evolution of S.A.L.I.R. through numerous drawings and period photographs. As well as being a catalogue raisonné, it is also an in-depth study shedding light on paramount developments in Murano’s glass-making history.

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