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Book Synopsis
One of the most fascinating aspects of Rembrandt's extraordinary artistic career is his suite of brooding half-length portraits of religious figures from the late 1650s and early 1660s. Painted during a difficult time in the artist's life - when he no longer enjoyed a ready market for his works and may have turned to his deep religious convictions for solace - these images are among the most evocative Rembrandt created. For years scholars have debated whether these paintings were intended as a series, yet until now these works have, unbelievably, never been shown together. An exhibition by the National Gallery of Art and this accompanying catalog assemble seventeen of the paintings for the first time, finally giving the powerful images their due. Many of these subtle and wondrous paintings have been identified as images of apostles and evangelists, but among them are also representations of Christ, the Virgin, and still-unidentified saints and monks. In Rembrandt's typical fashion, the

Rembrandts Late Religious Portraits

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    A Hardback by Arthur K. Wheelock, Volker Manuth, Peter C. Sutton

    £999.99

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      Book details

      Publisher The University of Chicago Press
      Published 2/18/2005 12:00:00 AM
      ISBN-13 9780226894430
      978-0226894430
      ISBN-10 0226894436
      Also in:
      Oils Portraits and self-portraiture in the arts

      Description

      Book Synopsis
      One of the most fascinating aspects of Rembrandt's extraordinary artistic career is his suite of brooding half-length portraits of religious figures from the late 1650s and early 1660s. Painted during a difficult time in the artist's life - when he no longer enjoyed a ready market for his works and may have turned to his deep religious convictions for solace - these images are among the most evocative Rembrandt created. For years scholars have debated whether these paintings were intended as a series, yet until now these works have, unbelievably, never been shown together. An exhibition by the National Gallery of Art and this accompanying catalog assemble seventeen of the paintings for the first time, finally giving the powerful images their due. Many of these subtle and wondrous paintings have been identified as images of apostles and evangelists, but among them are also representations of Christ, the Virgin, and still-unidentified saints and monks. In Rembrandt's typical fashion, the

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