Description
Book SynopsisBob Marley's recordings, some twenty years after his death, still enjoy enormous international popularity. For popular music fans in most of the world, reggae looms so large as to be Jamaica's only music and Marley its consummate musician. In this book, Jamaicans Kevin Chang and Wayne Chen offer a history of reggae, accounting for its rise and devolution. Jamaican music can be roughly divided into four eras, each with a distinctive beat - ska, rocksteady, reggae, and dancehall. Ska dates from about 1960 to mid-1966 and rocksteady from 1966 to 1968, while from 1969 to 1983 reggae was the popular beat. The reggae era had two phases, \u0022early reggae\u0022 up to 1974 and \u0022roots reggae\u0022 up to 1983. Since 1983 dancehall has been the prevalent the prevalent sound. The authors describe each stage in the development of the music, identifying the most popular songs and artists, highlighting the significant social, political, and economic issues as they affected the music scene. While they write from a Jamaican perspective, the intended audience is \u0022any person, local or foreign, interested in an intelligent discussion of reggae music and Jamaica.\u0022 Featuring some four hundred illustrations that range from album covers to rare photos, Reggae Routes profiles the innumerable artists, producers, and recordings that secured an international audience for Jamaican music. Artists discussed: Toots and the Maytals, the Wailers, Gaylads, Desmond Dekker, Delroy Wilson, Alton Ellis, Burning Spear, Itals, Wailing Souls, Skatalites, Heptones, and hundreds more.
Trade Review"[I]nsightful, informal and well-written...an essential addition to any reggae library and a good selection for anyone interested in the music." -The Beat "...Reggae means real music, music that tells a good story, music you can make sense out of. At first reggae sort of mean untidy or scruffy. But then it start to mean like coming from the people. Everyday things. From the ghetto. From the majority. Things people use every day like food, we just put music to and make a dance out of it. Reggae mean regular people who are suffering and don't have what they want." -Toots Hibbard, from the chapter "Do the Reggae" "In an intelligent, accessible and entertaining book, two Jamaican amateurs divide the island's popular music since 1960 into four rough eras-ska, rocksteady, reggae, dancehall. ...This history and the subsequent analysis of important songs are punctuated by 400 sharp archival photos, eye-catching graphics and boxed articles on various cultural issues and personalities. The appendices here include not only a bibliography, notes and index by artist, but also lists of the top hits by year and artist rankings that are based on what islanders-not foreigners-love best. The authors' exploration and celebration of their island's far-reaching culture makes this both a crash course in Jamaican history and a fine guide to developing a 'riddim' record collection." -Publishers Weekly
Table of ContentsCONTENTS Acknowledgments The History Introduction The Heartbeat of a People Roots Music: Kumina, Quadrille, Mento, Blues and Jazz Sound System Days and Nights Rhythm and Blues: Rasta and Oh Carolina Ska, Ska, Ska Get Ready for Rocksteady Do the Reggae Reggae International: The Harder They Come and Bob Marley Dub and Roots Inna the Dancehall Dancehall Massive The Pioneers: Count Matchukie and King Stitt U-Roy the Originator Riddim Wild Talking Gleaners The Sounds The Sixties The Seventies The Eighties The Nineties Appendices Charts Notes and References Bibliography List of Sources A brief history of Rastafarianism Index
