Description

Book Synopsis

This book interrogates how new digital-visual techniques and technologies are being used in emergent configurations of research and intervention. It discusses technological change and technological possibility; theoretical shifts toward processual paradigms; and a respectful ethics of responsibility. The contributors explore how new and evolving digital-visual technologies and techniques have been utilized in the development of research, and reflect on how such theory and practice might advance what is “knowable” in a world of smartphones, drones, and 360-degree cameras.



Table of Contents
​1. Introduction2. Refiguring Techniques: Technologies, Possibilities, Emergence and an Ethics of Responsibility in Visual-digital Research3. Drone Bodies: Sensual Amalgamations of the Vertical4. For a Non-Linear Visual Ethnography: Reflections on the Use of i-docs as a Tool for Scientific Research5. Empathetic Visuality: Go-Pros and the Video Trace6. Careful Surveillance at Play: Human-Animal Relations and Mobile Media in the Home7. Being There, Feeling There: Using 360 Cameras in Ethnographic Fieldwork8. Ethnography through the Digital Eye: What Do We See When We Look?9. Visual Documentation in Hybrid Spaces: Ethics, Publics, and Transition10. At the Edges of the Visual Culture of Exile

Refiguring Techniques in Digital Visual Research

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    £44.99

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    Order before 4pm today for delivery by Tue 16 Jun 2026.

    A Hardback by Edgar Gómez Cruz, Shanti Sumartojo, Sarah Pink

    15 in stock


      View other formats and editions of Refiguring Techniques in Digital Visual Research by Edgar Gómez Cruz

      Publisher: Springer International Publishing AG
      Publication Date: 24/08/2017
      ISBN13: 9783319612218, 978-3319612218
      ISBN10: 3319612212

      Description

      Book Synopsis

      This book interrogates how new digital-visual techniques and technologies are being used in emergent configurations of research and intervention. It discusses technological change and technological possibility; theoretical shifts toward processual paradigms; and a respectful ethics of responsibility. The contributors explore how new and evolving digital-visual technologies and techniques have been utilized in the development of research, and reflect on how such theory and practice might advance what is “knowable” in a world of smartphones, drones, and 360-degree cameras.



      Table of Contents
      ​1. Introduction2. Refiguring Techniques: Technologies, Possibilities, Emergence and an Ethics of Responsibility in Visual-digital Research3. Drone Bodies: Sensual Amalgamations of the Vertical4. For a Non-Linear Visual Ethnography: Reflections on the Use of i-docs as a Tool for Scientific Research5. Empathetic Visuality: Go-Pros and the Video Trace6. Careful Surveillance at Play: Human-Animal Relations and Mobile Media in the Home7. Being There, Feeling There: Using 360 Cameras in Ethnographic Fieldwork8. Ethnography through the Digital Eye: What Do We See When We Look?9. Visual Documentation in Hybrid Spaces: Ethics, Publics, and Transition10. At the Edges of the Visual Culture of Exile

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