Description

Book Synopsis

Reading Contemporary Serial Television Universes provides a new frameworkâthe metaphor of the narrative ecosystemâfor the analysis of serial television narratives. Contributors use this metaphor to address the ever-expanding and evolving structure of narratives far beyond their usual spatial and temporal borders, in general and in reference to specific series. Other scholarly approaches consider each narrative as composed of modular elements, which combine to create a bigger picture. The narrative ecosystem approach, on the other hand, argues that each portion of the narrative world contains all of the main elements that characterize the world as a whole, such as narrative tensions, production structures, creative dynamics and functions. The volume details the implications of the narrative ecosystem for narrative theory and the study of seriality, audiences and fandoms, production, and the analysis of the products themselves.



Table of Contents

Acknowledgements

List of Figures and Tables

List of Contributors

Editors’ Introduction

Part I – Theory

Chapter 1: New Paths in Transmediality as Vast Narratives: The State of the Field

Matthew Freeman

Chapter 2: Crossing the Boundaries: Narrative Ecosystems as Semiospheres

Marta Boni

Chapter 3: Evolution in Vampire-Centered TV Ecosystems

Héctor J. Pérez and Fernando Canet

Chapter 4: Audiences and Fan Studies: Technological Communities and Their Influences on Narrative Ecosystems

Paul Booth

Chapter 5: Spin-offs, Crossovers, and World Building "Energies"

Derek Johnson

Chapter 6: The Evolution of Characters in TV Series: Morphology, Selection and Remarkable Cases in Narrative Ecosystems

Veronica Innocenti and Guglielmo Pescatore

Part II – Analysis

Chapter 7: An Italian Ecosystem: Gomorra

Ilaria A. De Pascalis

Chapter 8: Thank God I'm a Country Series. Interacting Environments and Networks in Nashville

Paola Brembilla

Chapter 9: You’re Sherlock Holmes, wear the damn hat! Character Identity in a Transfiction

Roberta Pearson

Chapter 10: The Specificities of the North-European Seriality: Strong Local Voices in a Global Media-World

Heidi Philipsen

Chapter 11: Event TV Drama within Narrative Ecosystems: Extended Seriality and Differing Paratextual Orientations in the 50th Anniversaries of Cult TV

Matt Hills

Chapter 12: The Game of Game of Thrones: Networked Concordances and Fractal Dramaturgy

Andrew Beveridge and Michael Chemers

Reading Contemporary Serial Television Universes

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A Hardback by Paola Brembilla, Ilaria A. De Pascalis

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    View other formats and editions of Reading Contemporary Serial Television Universes by Paola Brembilla

    Publisher: Taylor & Francis Ltd
    Publication Date: 01/06/2018
    ISBN13: 9781138071391, 978-1138071391
    ISBN10: 1138071390

    Description

    Book Synopsis

    Reading Contemporary Serial Television Universes provides a new frameworkâthe metaphor of the narrative ecosystemâfor the analysis of serial television narratives. Contributors use this metaphor to address the ever-expanding and evolving structure of narratives far beyond their usual spatial and temporal borders, in general and in reference to specific series. Other scholarly approaches consider each narrative as composed of modular elements, which combine to create a bigger picture. The narrative ecosystem approach, on the other hand, argues that each portion of the narrative world contains all of the main elements that characterize the world as a whole, such as narrative tensions, production structures, creative dynamics and functions. The volume details the implications of the narrative ecosystem for narrative theory and the study of seriality, audiences and fandoms, production, and the analysis of the products themselves.



    Table of Contents

    Acknowledgements

    List of Figures and Tables

    List of Contributors

    Editors’ Introduction

    Part I – Theory

    Chapter 1: New Paths in Transmediality as Vast Narratives: The State of the Field

    Matthew Freeman

    Chapter 2: Crossing the Boundaries: Narrative Ecosystems as Semiospheres

    Marta Boni

    Chapter 3: Evolution in Vampire-Centered TV Ecosystems

    Héctor J. Pérez and Fernando Canet

    Chapter 4: Audiences and Fan Studies: Technological Communities and Their Influences on Narrative Ecosystems

    Paul Booth

    Chapter 5: Spin-offs, Crossovers, and World Building "Energies"

    Derek Johnson

    Chapter 6: The Evolution of Characters in TV Series: Morphology, Selection and Remarkable Cases in Narrative Ecosystems

    Veronica Innocenti and Guglielmo Pescatore

    Part II – Analysis

    Chapter 7: An Italian Ecosystem: Gomorra

    Ilaria A. De Pascalis

    Chapter 8: Thank God I'm a Country Series. Interacting Environments and Networks in Nashville

    Paola Brembilla

    Chapter 9: You’re Sherlock Holmes, wear the damn hat! Character Identity in a Transfiction

    Roberta Pearson

    Chapter 10: The Specificities of the North-European Seriality: Strong Local Voices in a Global Media-World

    Heidi Philipsen

    Chapter 11: Event TV Drama within Narrative Ecosystems: Extended Seriality and Differing Paratextual Orientations in the 50th Anniversaries of Cult TV

    Matt Hills

    Chapter 12: The Game of Game of Thrones: Networked Concordances and Fractal Dramaturgy

    Andrew Beveridge and Michael Chemers

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