Description

Book Synopsis

Across the world, performing arts programmes are increasing in number, scope and professionalism. They attract increasing academic and media attention. Theoretical and applied research, organizational evaluation reports, documentary films and journalism are detailing prison arts and creating recognition that this body of work is becoming a valued part of the correctional enterprise. There is a growing body of evidence that suggests music, theatre, poetry and dance can contribute to prisoner wellbeing, management, rehabilitation and reintegration. Performing Arts in Prisons: Creative Perspectives explores prison arts in Australia, the United States, the United Kingdom and Chile, and creates a new framework for understanding its practices.



Table of Contents

Notes on Contributors

Preface

Introduction: Performing arts in prisons - creative perspectives

Micheal Balfour, Brydie-Leigh Bartleet, Linda Davey, John Rynne and Huib Schippers

Chapter 1: A correctional perspective on the creative arts in prisons

Andrew Day

Chapter 2: Geese Theatre Company - 30 years on

Louise Heywood, Andy Watson MBE and Michael Balfour

Chapter 3: One Mob Different Country: First Peoples of Australia dance in Darwin Prison

John Rynne, Dennis Lew Fatt and Brett Schroder

Chapter 4: 'This place is full of drama queens': Reflecting on the value of drama in a women's prison

Sarah Woodland

Chapter 5: Through the looking glass: A voice from the inside

Anya (pseudonym)

Chapter 6: Breaking the fifth wall: How performance might assist desistance from crime

Linda Davey

Chapter 7: Drumming interventions in Australian prisons: Insights from the Rhythm2Recovery model

Simon Faulkner and Brydie-Leigh Bartleet

Chapter 8: Arts in Corrections New Zealand

Jacqui Moyes

Chapter 9: The play's the thing: Performance in Prison Shakespeare

Rob Pensalfini

Chapter 10: 'Heart and heartbeat': Working beyond prison theatre, performing protagonismo social in the real world

Penelope Glass

Chapter 11: 'Strategies for success': Trusting the power of the arts

Maud Clarke

Chapter 12: Performing arts activities with hopes to build positive self-identity, heal harms and broaden the US public's perceptions of people inside prisons

Mary L. Cohen

Chapter 13: Unlocked: Prison poetry workshops as a key to engaging inmates

Johanna Featherstone and Huib Schippers

Chapter 14: 'Music is the colour of my skin': The story of the Murru Band

Dudley Billing and Dave Palmer

Concluding Reflections

Micheal Balfour, Brydie-Leigh Bartleet, Linda Davey, John Rynne and Huib Schippers

Index

Performing Arts in Prisons: Creative Perspectives

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    A Hardback by Michael Balfour, Brydie-Leigh Bartleet, Linda Davey

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      View other formats and editions of Performing Arts in Prisons: Creative Perspectives by Michael Balfour

      Publisher: Intellect Books
      Publication Date: 15/07/2019
      ISBN13: 9781783209972, 978-1783209972
      ISBN10: 1783209976

      Description

      Book Synopsis

      Across the world, performing arts programmes are increasing in number, scope and professionalism. They attract increasing academic and media attention. Theoretical and applied research, organizational evaluation reports, documentary films and journalism are detailing prison arts and creating recognition that this body of work is becoming a valued part of the correctional enterprise. There is a growing body of evidence that suggests music, theatre, poetry and dance can contribute to prisoner wellbeing, management, rehabilitation and reintegration. Performing Arts in Prisons: Creative Perspectives explores prison arts in Australia, the United States, the United Kingdom and Chile, and creates a new framework for understanding its practices.



      Table of Contents

      Notes on Contributors

      Preface

      Introduction: Performing arts in prisons - creative perspectives

      Micheal Balfour, Brydie-Leigh Bartleet, Linda Davey, John Rynne and Huib Schippers

      Chapter 1: A correctional perspective on the creative arts in prisons

      Andrew Day

      Chapter 2: Geese Theatre Company - 30 years on

      Louise Heywood, Andy Watson MBE and Michael Balfour

      Chapter 3: One Mob Different Country: First Peoples of Australia dance in Darwin Prison

      John Rynne, Dennis Lew Fatt and Brett Schroder

      Chapter 4: 'This place is full of drama queens': Reflecting on the value of drama in a women's prison

      Sarah Woodland

      Chapter 5: Through the looking glass: A voice from the inside

      Anya (pseudonym)

      Chapter 6: Breaking the fifth wall: How performance might assist desistance from crime

      Linda Davey

      Chapter 7: Drumming interventions in Australian prisons: Insights from the Rhythm2Recovery model

      Simon Faulkner and Brydie-Leigh Bartleet

      Chapter 8: Arts in Corrections New Zealand

      Jacqui Moyes

      Chapter 9: The play's the thing: Performance in Prison Shakespeare

      Rob Pensalfini

      Chapter 10: 'Heart and heartbeat': Working beyond prison theatre, performing protagonismo social in the real world

      Penelope Glass

      Chapter 11: 'Strategies for success': Trusting the power of the arts

      Maud Clarke

      Chapter 12: Performing arts activities with hopes to build positive self-identity, heal harms and broaden the US public's perceptions of people inside prisons

      Mary L. Cohen

      Chapter 13: Unlocked: Prison poetry workshops as a key to engaging inmates

      Johanna Featherstone and Huib Schippers

      Chapter 14: 'Music is the colour of my skin': The story of the Murru Band

      Dudley Billing and Dave Palmer

      Concluding Reflections

      Micheal Balfour, Brydie-Leigh Bartleet, Linda Davey, John Rynne and Huib Schippers

      Index

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