Description

Book Synopsis

A deep dive into the visual forms, material contexts, social lives, and global circulations of books

In the twenty-first century, debates on the future of books and print culture have intensified with the rise of digital technologies, and the contemporary art world has witnessed an explosion of interest in the book form. Amid this artistic and intellectual activity, there has been little scrutiny of book arts in South Asia and their particular ontologies, histories, and genealogies. This volume weaves together scholarly essays, original artistic projects, and works of creative nonfiction to trace a history of illustrated books in South Asia from 1100 CE to the present.

From Nepalese palm-leaf manuscripts and imperial Mughal albums to lithographed cookbooks and mimeographed magazines, contributors examine a diverse range of materials rarely, if ever, studied together. Thematically organized, the chapters stage a critical dialogue between artists and scholars,

Trade Review

"[An] exciting new publication...The scholarship complicates common understandings of South Asian bookmaking, whose regional practice and access benefited from Indic, Western, Islamic, and cross-cultural influences in the last millennium. Regardless of readers’ existing knowledge about book histories, a compelling essay or an inspiring image will surely pique their interest."

* Hyperallergic *

Table of Contents

Acknowledgements
Note on Transliteration and Naming Conventions

Introduction: Love in the Stacks
Sonal Khullar

HOLDING AND CARRYING
1. A Book and the Goddess: The Devimahatmya from Palm Leaf to Paper
Jinah Kim

Artist's Project 1: The Travels of a King
T. Shanaathanan

COVERING AND CAPTIONING
2. Clothing the Book: Texts, Textiles, and an Ethics of Care
Sylvia Houghteling

3. Meaning in the Margins: Kannada Captions in a Deccani Sindbadnama
Laura Weinstein

Artist's Project 2: After the Plague
Parismita Singh

CUTTING AND PASTING
4. Books That Bind: The Persianate Album and Its Widespread Circulation
Yael Rice

5. Migrations of Media: Photographic Albums, Prints, and Wall Paintings
Holly Shaffer

Artist's Project 3: Queen Victoria's Favorite Soup
Naila Mahmood

READING AND RECYCLING
6. Lithographic Assemblages: The Urdu Art Book in the Age of Print
Iftikhar Dadi

7. Books and the Matter of Art: Notes on Materiality, Dematerialization, and Value
Sonal Khullar

Artists' Project 4: Tasavvur (Imagination)
Iftikhar Dadi and Elizabeth Dadi

CRAFTING AND COLLECTING
8. Quink on My Hands
Arvind Krishna Mehrotra

9. In My Father's Trunk
Anand A. Yang

Bibliography
Contributors
Index

Old Stacks New Leaves

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    Order before 4pm tomorrow for delivery by Mon 22 Jun 2026.

    A Hardback by Sonal Khullar

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      View other formats and editions of Old Stacks New Leaves by Sonal Khullar

      Publisher: University of Washington Press
      Publication Date: 09/05/2023
      ISBN13: 9780295751115, 978-0295751115
      ISBN10: 0295751118

      Description

      Book Synopsis

      A deep dive into the visual forms, material contexts, social lives, and global circulations of books

      In the twenty-first century, debates on the future of books and print culture have intensified with the rise of digital technologies, and the contemporary art world has witnessed an explosion of interest in the book form. Amid this artistic and intellectual activity, there has been little scrutiny of book arts in South Asia and their particular ontologies, histories, and genealogies. This volume weaves together scholarly essays, original artistic projects, and works of creative nonfiction to trace a history of illustrated books in South Asia from 1100 CE to the present.

      From Nepalese palm-leaf manuscripts and imperial Mughal albums to lithographed cookbooks and mimeographed magazines, contributors examine a diverse range of materials rarely, if ever, studied together. Thematically organized, the chapters stage a critical dialogue between artists and scholars,

      Trade Review

      "[An] exciting new publication...The scholarship complicates common understandings of South Asian bookmaking, whose regional practice and access benefited from Indic, Western, Islamic, and cross-cultural influences in the last millennium. Regardless of readers’ existing knowledge about book histories, a compelling essay or an inspiring image will surely pique their interest."

      * Hyperallergic *

      Table of Contents

      Acknowledgements
      Note on Transliteration and Naming Conventions

      Introduction: Love in the Stacks
      Sonal Khullar

      HOLDING AND CARRYING
      1. A Book and the Goddess: The Devimahatmya from Palm Leaf to Paper
      Jinah Kim

      Artist's Project 1: The Travels of a King
      T. Shanaathanan

      COVERING AND CAPTIONING
      2. Clothing the Book: Texts, Textiles, and an Ethics of Care
      Sylvia Houghteling

      3. Meaning in the Margins: Kannada Captions in a Deccani Sindbadnama
      Laura Weinstein

      Artist's Project 2: After the Plague
      Parismita Singh

      CUTTING AND PASTING
      4. Books That Bind: The Persianate Album and Its Widespread Circulation
      Yael Rice

      5. Migrations of Media: Photographic Albums, Prints, and Wall Paintings
      Holly Shaffer

      Artist's Project 3: Queen Victoria's Favorite Soup
      Naila Mahmood

      READING AND RECYCLING
      6. Lithographic Assemblages: The Urdu Art Book in the Age of Print
      Iftikhar Dadi

      7. Books and the Matter of Art: Notes on Materiality, Dematerialization, and Value
      Sonal Khullar

      Artists' Project 4: Tasavvur (Imagination)
      Iftikhar Dadi and Elizabeth Dadi

      CRAFTING AND COLLECTING
      8. Quink on My Hands
      Arvind Krishna Mehrotra

      9. In My Father's Trunk
      Anand A. Yang

      Bibliography
      Contributors
      Index

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