Description

Book Synopsis
This is a study in the political, social, and cultural content of a particular literary form - the novel of slavery cast as a first-person slave narrative. The text explores the complex relationship between nostalgia and critique, and asks how African-American intellectuals made use of this form.

Trade Review
Rushdy's book tells us a great deal not just about the four novels he reads closely, but also about the American conceptions of slavery and race in the second half of the Twentieth century; we walk away from Neo Slave Narratives with a multilayered sense of what Rushdy calls the social logic of the form, a logic which demonstrates that form is not extrinsic to historical understanding but rather constitutive of it. In short, Rushdy approaches his texts as complex objects circulating in many intersecting exchanges and listens carefully for the whistling and humming around him. * Eric Gardner, Theory and Cultural Studies *

NeoSlave Narratives Studies in the Social Logic of a Literary Form Race and American Culture

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    A Hardback by Ashraf H. A. Rushdy

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      View other formats and editions of NeoSlave Narratives Studies in the Social Logic of a Literary Form Race and American Culture by Ashraf H. A. Rushdy

      Publisher: Oxford University Press, USA
      Publication Date: 12/2/1999 12:00:00 AM
      ISBN13: 9780195125337, 978-0195125337
      ISBN10: 0195125339

      Description

      Book Synopsis
      This is a study in the political, social, and cultural content of a particular literary form - the novel of slavery cast as a first-person slave narrative. The text explores the complex relationship between nostalgia and critique, and asks how African-American intellectuals made use of this form.

      Trade Review
      Rushdy's book tells us a great deal not just about the four novels he reads closely, but also about the American conceptions of slavery and race in the second half of the Twentieth century; we walk away from Neo Slave Narratives with a multilayered sense of what Rushdy calls the social logic of the form, a logic which demonstrates that form is not extrinsic to historical understanding but rather constitutive of it. In short, Rushdy approaches his texts as complex objects circulating in many intersecting exchanges and listens carefully for the whistling and humming around him. * Eric Gardner, Theory and Cultural Studies *

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