Description

Book Synopsis

Explores the role of stories in criminal culture and justice systems around the world
Stories are much more than a means of communicationstories help us shape our identities, make sense of the world, and mobilize others to action. In Narrative Criminology, prominent scholars from across the academy and around the world examine stories that animate offending. From an examination of how criminals understand certain types of crime to be less moral than others, to how violent offenders and drug users each come to understand or resist their identity as criminals', to how cultural narratives motivate genocidal action, the case studies in this book cover a wide array of crimes and justice systems throughout the world.

The contributors uncover the narratives at the center of their essays through qualitative interviews, ethnographic fieldwork, and written archives, and they scrutinize narrative structure and meaning by analyzing genres, plots, metaphors, and other co

Trade Review
Lois Presser and Sveinung Sandberg are onto something with this smart, beautifully organized collection of rich essays, each showing the importance of the & narrative turn not only to sociology and across disciplines, but to criminology. The collection shows how people involved with crime, and criminologists ourselves, use narrative all the time even though, until now, we may not have known why.This book is bound to be the & go to volume about the centrality of stories to the criminological enterprise. -- Lynn Chancer,author of High Profile Crimes: When Legal Cases Become Social Causes
This is an impressively global collection of case studies. Together these demonstrate the flexibility, ubiquity and enduring utility of the concept of narrative for criminology. It is shown to be both an analytic tool for scholars and a resource shaping action and belief in the lifeworld. By exploring and highlighting these two properties this book provides a valuable service to cultural criminology. -- Philip Smith,author of Punishment and Culture
[The book] is positioned to draw on insights and methods from a vast field of inquiryand make the case for narrative as an important and putatively neglected perspectivefor understanding matters of crime and justice. In this volume, Lois Presser andSveinung Sandberg bring together a set of contributions designed to do just that. * Cultural Sociology *
This is a most interesting, rather eclectic collection of papers presented within an allegedly new category of & narrative criminology. Essentially, the editors maintain the importance of storytelling for a better understanding of & crime, and, of course, are quite right to do so. Summing Up: Highly recommended. * Choice *

Table of Contents
Foreword: Narrative Criminology as the New Mainstream vii Shadd Maruna Introduction: What Is the Story? 1 Lois Presser and Sveinung Sandberg Part I. Stories Construct Proper Selves 1. The Rapist and the Proper Criminal: The Exclusion of Immoral Others as Narrative Work on the Self 23 Thomas Ugelvik 2. In Search of Respectability: Narrative Practice in a Women's Prison in Quito, Ecuador 42 Jennifer Fleetwood 3. Gendered Narratives of Self, Addiction, and Recovery among Women Methamphetamine Users 69 Jody Miller, Kristin Carbone-Lopez, and Mikh V. Gunderman 4. Moral Habilitation and the New Normal: Sexual Offender Narratives of Posttreatment Community Integration 96 Janice Victor and James B. Waldram Part II. Stories Animate and Mobilize 5. "The Race of Pale Men Should Increase and Multiply": Religious Narratives and Indian Removal 125 Robert M. Keeton

Narrative Criminology

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    A Paperback / softback by Lois Presser, Sveinung Sandberg

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      Publisher: New York University Press
      Publication Date: Publication Date: 10/07/2015
      ISBN13: 9781479823413, 978-1479823413
      ISBN10: 1479823414

      Description

      Book Synopsis

      Explores the role of stories in criminal culture and justice systems around the world
      Stories are much more than a means of communicationstories help us shape our identities, make sense of the world, and mobilize others to action. In Narrative Criminology, prominent scholars from across the academy and around the world examine stories that animate offending. From an examination of how criminals understand certain types of crime to be less moral than others, to how violent offenders and drug users each come to understand or resist their identity as criminals', to how cultural narratives motivate genocidal action, the case studies in this book cover a wide array of crimes and justice systems throughout the world.

      The contributors uncover the narratives at the center of their essays through qualitative interviews, ethnographic fieldwork, and written archives, and they scrutinize narrative structure and meaning by analyzing genres, plots, metaphors, and other co

      Trade Review
      Lois Presser and Sveinung Sandberg are onto something with this smart, beautifully organized collection of rich essays, each showing the importance of the & narrative turn not only to sociology and across disciplines, but to criminology. The collection shows how people involved with crime, and criminologists ourselves, use narrative all the time even though, until now, we may not have known why.This book is bound to be the & go to volume about the centrality of stories to the criminological enterprise. -- Lynn Chancer,author of High Profile Crimes: When Legal Cases Become Social Causes
      This is an impressively global collection of case studies. Together these demonstrate the flexibility, ubiquity and enduring utility of the concept of narrative for criminology. It is shown to be both an analytic tool for scholars and a resource shaping action and belief in the lifeworld. By exploring and highlighting these two properties this book provides a valuable service to cultural criminology. -- Philip Smith,author of Punishment and Culture
      [The book] is positioned to draw on insights and methods from a vast field of inquiryand make the case for narrative as an important and putatively neglected perspectivefor understanding matters of crime and justice. In this volume, Lois Presser andSveinung Sandberg bring together a set of contributions designed to do just that. * Cultural Sociology *
      This is a most interesting, rather eclectic collection of papers presented within an allegedly new category of & narrative criminology. Essentially, the editors maintain the importance of storytelling for a better understanding of & crime, and, of course, are quite right to do so. Summing Up: Highly recommended. * Choice *

      Table of Contents
      Foreword: Narrative Criminology as the New Mainstream vii Shadd Maruna Introduction: What Is the Story? 1 Lois Presser and Sveinung Sandberg Part I. Stories Construct Proper Selves 1. The Rapist and the Proper Criminal: The Exclusion of Immoral Others as Narrative Work on the Self 23 Thomas Ugelvik 2. In Search of Respectability: Narrative Practice in a Women's Prison in Quito, Ecuador 42 Jennifer Fleetwood 3. Gendered Narratives of Self, Addiction, and Recovery among Women Methamphetamine Users 69 Jody Miller, Kristin Carbone-Lopez, and Mikh V. Gunderman 4. Moral Habilitation and the New Normal: Sexual Offender Narratives of Posttreatment Community Integration 96 Janice Victor and James B. Waldram Part II. Stories Animate and Mobilize 5. "The Race of Pale Men Should Increase and Multiply": Religious Narratives and Indian Removal 125 Robert M. Keeton

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