Description

Book Synopsis

Modern Theatres 19502020 is an investigation of theatres, concert halls and opera houses in Asia, Europe, the Middle East and North and South America.

The book explores in detail 30 of the most significant theatres, concert halls, opera houses and dance spaces that opened between 1950 and 2010. Each theatre is reviewed and assessed by experts in theatre buildings, such as architects, acousticians, consultants and theatre practitioners, and illustrated with full-colour photographs and comparative plans and sections. A further 20 theatres that opened from 2009 to 2020 are concisely reviewed and illustrated.

    An excellent resource for students of theatre planning, theatre architecture and architectural design, Modern Theatres 1950 2020 discusses the role of performing arts buildings in cities, explores their public and performances spaces and examines the acoustics and technologies needed in a great building. This beautiful

    Table of Contents

    Chapter 1.00: Aspects of Modern Theatres

    1.01. Edwin O. Sachs – A British Theatrical Enigma

    David Wilmore

    1.02. Cities, global and regenerating

    David Staples

    1.03. Theatres and publicness

    Bostjan Vuga

    1.04. Prevailing Themes in 20th Century Theatre Architecture

    Joshua Dachs

    1.05. Towards a new theatre architecture: developments in Britain after 1950

    Alistair Fair

    1.06. Front of House moves to the forefront

    Robert Shook

    1.07. Concert Halls, Music, and Audiences

    Chris Blair

    1.08. The Modern Opera House

    Nicholas Payne

    1.09. Playhouses and spaces for drama

    Tim Foster

    1.10. Stage Engineering Systems

    Mark Ager

    1.11. Stage Lighting

    Mark White

    1.12. Sound, and Opera’s Dirty Little Secret

    Chris Full

    1.13. New Technologies and Performance

    Raj Patel

    1.14. Acoustics and the Modern Theatre

    Sebastien Jouan

    Chapter 2.00: Thirty Significant Theatres 1950 to 2010

    Chapter 3.00: Fifties

    3.01. Royal Festival Hall, 1951, London, UK

    Miles Glendinning and Sebastien Jouan

    3.02. Festival Theatre, 1957, Stratford, Ontario, Canada

    Gary McCluskie

    3.03. Kalita Humphreys Theater, 1959, Dallas, Texas

    David Staples

    3.04. Musiktheater im Revier, 1959, Gelsenkirchen, Germany

    Elain Harwood

    Chapter 4.00: Sixties

    4.01. Arena Stage, Washington, DC, USA

    Joshua Dachs

    4.02. Bunka Kaikan, 1961, Tokyo, Japan

    Shozo Motosugi

    4.03. Philharmonie, 1963, Berlin, Germany

    Karin Winkelsesser

    Chapter 5.00: Seventies

    5.01. Finlandia Hall, 1971, Helsinki, Finland

    David Staples

    5.02. Sydney Opera House, 1973, Sydney, Australia

    David Staples

    5.03. Teatro Regio, 1971, Torino, Italy

    David Staples and Simone Solinas

    5.04. Royal National Theatre, 1976, London, UK

    Patrick Dillon

    5.05. Royal Exchange Theatre, 1976, Manchester, England

    Andy Hayles

    Chapter 6.00: Eighties

    6.01. Schaubühne at Lehniner Platz, 1981, Berlin, Germany

    Reinhold Daberto

    6.02. Arts Centre Melbourne, 1982, Melbourne, Australia

    Tim Brinkman

    6.03. Joyce Theater, 1982, New York, NY, USA

    Elizabeth Bradley

    6.04. Derngate, 1983, Northampton, England

    Roger Hopwood

    6.05. Lucent Danstheater, 1987, The Hague, Netherlands

    Eric Blom and Lian The

    6.06. Opéra Bastille, 1989, Paris, France

    Michel da Costa Gonçalves

    Chapter 7.00: Nineties

    7.01. Sadler’s Wells Theatre, 1998, London, UK

    Richard York

    Chapter 8.00: New Millennium

    8.01. The Lowry, 2000, Salford, United Kingdom

    Alistair Fair

    8.02. Esplanade – Theatres on the Bay, 2002, Singapore

    Gaurav Kripalani

    8.03. Walt Disney Concert Hall, 2003, Los Angeles, California, USA

    Carl Giegold

    8.04. KÀ Theater, 2004, MGM Grand Hotel, Las Vegas, AZ, USA

    David Barbour

    8.05. Matsumoto Performing Arts Centre, 2004, Matsumoto, Japan

    Shozo Motosugi

    8.06. Casa da Música, 2005, Porto, Portugal

    Maria Rita Liberal Arnaut

    8.07. Auditório Ibirapuera ‘Oscar Niemeyer’, 2005, São Paulo, Brazil

    Claudia Toni

    8.08. National Center for the Performing Arts, 2007, Beijing, China

    Jörg Kümmel

    8.09. Operahuset, 2008, Oslo, Norway

    David Turnbull

    8.10. National Opera House, 2008, Wexford, Ireland

    David Staples

    8.11. DR Koncerthuset, 2009, Copenhagen, Denmark

    Allan Xenius Grige

    8.12. Guangzhou Opera, 2010, Guangzhou, China

    David Staples

    Chapter 9.00: Snapshots of twenty theatres – 2011 to 2020 - David Staples

    9.01. Dee and Charles Wyly Theatre, 2009, Dallas, Texas, USA

    Karin Winkelsesser

    9.02. Onassis Cultural Centre, 2010, Athens, Greece

    Karin Winkelsesser

    9.03. New World Center, 2011, Miami, FL, USA

    Karin Winkelsesser

    9.04. Royal Opera House, 2011, Muscat, Oman

    Karin Winkelsesser

    9.05. Harpa, 2011, Reykjavik, Iceland

    David Staples

    9.06. Royal Shakespeare Theatre, 2011, Stratford-upon-Avon

    Alistair Fair

    9.07. Heydar Aliyev Center, 2012, Baku, Azerbaijan

    David Staples

    9.08. `A`ali`ikūhonua Creative Arts Center, 2012, Seabury Hall, Maui, USA

    David Staples

    9.09. Musiktheater am Volksgarten, 2013, Linz, Austria

    Karin Winkelsesser

    9.10. Everyman Theatre, 2014, Liverpool, UK

    Alistair Fair

    9.11. Han Show Theatre, 2014, Wuhan, China

    Karin Winkelsesser

    9.12. Harbin Opera House, 2015, Harbin, China

    David Staples

    9.13. Dubai Opera, 2016, Dubai, UAE

    Karin Winkelsesser

    9.14. Stavros Niarchos Foundation Cultural Center, 2017, Athens, Greece

    Karin Winkelsesser

    9.15. Boulez Saal, 2017, Berlin, Germany

    Karin Winkelsesser

    9.16. Elbphilharmonie, 2017, Hamburg, Germany

    Karin Winkelsesser

    9.17. Bridge Theatre, 2017, London, UK

    David Staples

    9.18. National Kaohsiung Center for the Arts, 2018, Taiwan

    Karin Winkelsesser

    9.19. The Shed, The Bloomberg Building, 2019, New York

    David Staples

    9.20. Xiqu Centre, 2019, Hong Kong

    David Staples

    Chapter 10.00: Conclusions

    10.01. Postscript – "The Ghost Light"

    Chapter 11.00: Modern Theatres contributors

    Modern Theatres 19502020

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    A Hardback by David Staples

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      View other formats and editions of Modern Theatres 19502020 by David Staples

      Publisher: Taylor & Francis Ltd
      Publication Date: 12/05/2021
      ISBN13: 9781138484368, 978-1138484368
      ISBN10: 1138484369

      Description

      Book Synopsis

      Modern Theatres 19502020 is an investigation of theatres, concert halls and opera houses in Asia, Europe, the Middle East and North and South America.

      The book explores in detail 30 of the most significant theatres, concert halls, opera houses and dance spaces that opened between 1950 and 2010. Each theatre is reviewed and assessed by experts in theatre buildings, such as architects, acousticians, consultants and theatre practitioners, and illustrated with full-colour photographs and comparative plans and sections. A further 20 theatres that opened from 2009 to 2020 are concisely reviewed and illustrated.

        An excellent resource for students of theatre planning, theatre architecture and architectural design, Modern Theatres 1950 2020 discusses the role of performing arts buildings in cities, explores their public and performances spaces and examines the acoustics and technologies needed in a great building. This beautiful

        Table of Contents

        Chapter 1.00: Aspects of Modern Theatres

        1.01. Edwin O. Sachs – A British Theatrical Enigma

        David Wilmore

        1.02. Cities, global and regenerating

        David Staples

        1.03. Theatres and publicness

        Bostjan Vuga

        1.04. Prevailing Themes in 20th Century Theatre Architecture

        Joshua Dachs

        1.05. Towards a new theatre architecture: developments in Britain after 1950

        Alistair Fair

        1.06. Front of House moves to the forefront

        Robert Shook

        1.07. Concert Halls, Music, and Audiences

        Chris Blair

        1.08. The Modern Opera House

        Nicholas Payne

        1.09. Playhouses and spaces for drama

        Tim Foster

        1.10. Stage Engineering Systems

        Mark Ager

        1.11. Stage Lighting

        Mark White

        1.12. Sound, and Opera’s Dirty Little Secret

        Chris Full

        1.13. New Technologies and Performance

        Raj Patel

        1.14. Acoustics and the Modern Theatre

        Sebastien Jouan

        Chapter 2.00: Thirty Significant Theatres 1950 to 2010

        Chapter 3.00: Fifties

        3.01. Royal Festival Hall, 1951, London, UK

        Miles Glendinning and Sebastien Jouan

        3.02. Festival Theatre, 1957, Stratford, Ontario, Canada

        Gary McCluskie

        3.03. Kalita Humphreys Theater, 1959, Dallas, Texas

        David Staples

        3.04. Musiktheater im Revier, 1959, Gelsenkirchen, Germany

        Elain Harwood

        Chapter 4.00: Sixties

        4.01. Arena Stage, Washington, DC, USA

        Joshua Dachs

        4.02. Bunka Kaikan, 1961, Tokyo, Japan

        Shozo Motosugi

        4.03. Philharmonie, 1963, Berlin, Germany

        Karin Winkelsesser

        Chapter 5.00: Seventies

        5.01. Finlandia Hall, 1971, Helsinki, Finland

        David Staples

        5.02. Sydney Opera House, 1973, Sydney, Australia

        David Staples

        5.03. Teatro Regio, 1971, Torino, Italy

        David Staples and Simone Solinas

        5.04. Royal National Theatre, 1976, London, UK

        Patrick Dillon

        5.05. Royal Exchange Theatre, 1976, Manchester, England

        Andy Hayles

        Chapter 6.00: Eighties

        6.01. Schaubühne at Lehniner Platz, 1981, Berlin, Germany

        Reinhold Daberto

        6.02. Arts Centre Melbourne, 1982, Melbourne, Australia

        Tim Brinkman

        6.03. Joyce Theater, 1982, New York, NY, USA

        Elizabeth Bradley

        6.04. Derngate, 1983, Northampton, England

        Roger Hopwood

        6.05. Lucent Danstheater, 1987, The Hague, Netherlands

        Eric Blom and Lian The

        6.06. Opéra Bastille, 1989, Paris, France

        Michel da Costa Gonçalves

        Chapter 7.00: Nineties

        7.01. Sadler’s Wells Theatre, 1998, London, UK

        Richard York

        Chapter 8.00: New Millennium

        8.01. The Lowry, 2000, Salford, United Kingdom

        Alistair Fair

        8.02. Esplanade – Theatres on the Bay, 2002, Singapore

        Gaurav Kripalani

        8.03. Walt Disney Concert Hall, 2003, Los Angeles, California, USA

        Carl Giegold

        8.04. KÀ Theater, 2004, MGM Grand Hotel, Las Vegas, AZ, USA

        David Barbour

        8.05. Matsumoto Performing Arts Centre, 2004, Matsumoto, Japan

        Shozo Motosugi

        8.06. Casa da Música, 2005, Porto, Portugal

        Maria Rita Liberal Arnaut

        8.07. Auditório Ibirapuera ‘Oscar Niemeyer’, 2005, São Paulo, Brazil

        Claudia Toni

        8.08. National Center for the Performing Arts, 2007, Beijing, China

        Jörg Kümmel

        8.09. Operahuset, 2008, Oslo, Norway

        David Turnbull

        8.10. National Opera House, 2008, Wexford, Ireland

        David Staples

        8.11. DR Koncerthuset, 2009, Copenhagen, Denmark

        Allan Xenius Grige

        8.12. Guangzhou Opera, 2010, Guangzhou, China

        David Staples

        Chapter 9.00: Snapshots of twenty theatres – 2011 to 2020 - David Staples

        9.01. Dee and Charles Wyly Theatre, 2009, Dallas, Texas, USA

        Karin Winkelsesser

        9.02. Onassis Cultural Centre, 2010, Athens, Greece

        Karin Winkelsesser

        9.03. New World Center, 2011, Miami, FL, USA

        Karin Winkelsesser

        9.04. Royal Opera House, 2011, Muscat, Oman

        Karin Winkelsesser

        9.05. Harpa, 2011, Reykjavik, Iceland

        David Staples

        9.06. Royal Shakespeare Theatre, 2011, Stratford-upon-Avon

        Alistair Fair

        9.07. Heydar Aliyev Center, 2012, Baku, Azerbaijan

        David Staples

        9.08. `A`ali`ikūhonua Creative Arts Center, 2012, Seabury Hall, Maui, USA

        David Staples

        9.09. Musiktheater am Volksgarten, 2013, Linz, Austria

        Karin Winkelsesser

        9.10. Everyman Theatre, 2014, Liverpool, UK

        Alistair Fair

        9.11. Han Show Theatre, 2014, Wuhan, China

        Karin Winkelsesser

        9.12. Harbin Opera House, 2015, Harbin, China

        David Staples

        9.13. Dubai Opera, 2016, Dubai, UAE

        Karin Winkelsesser

        9.14. Stavros Niarchos Foundation Cultural Center, 2017, Athens, Greece

        Karin Winkelsesser

        9.15. Boulez Saal, 2017, Berlin, Germany

        Karin Winkelsesser

        9.16. Elbphilharmonie, 2017, Hamburg, Germany

        Karin Winkelsesser

        9.17. Bridge Theatre, 2017, London, UK

        David Staples

        9.18. National Kaohsiung Center for the Arts, 2018, Taiwan

        Karin Winkelsesser

        9.19. The Shed, The Bloomberg Building, 2019, New York

        David Staples

        9.20. Xiqu Centre, 2019, Hong Kong

        David Staples

        Chapter 10.00: Conclusions

        10.01. Postscript – "The Ghost Light"

        Chapter 11.00: Modern Theatres contributors

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