Description

Book Synopsis

INTRODUCTION.- PART I: Framing Migrations Discourses: Contexts and Evolution.- 1.1           Migrations as Controversial Discourses in the Global Public Arena.- 1.2           Migrations in their Geographical and Contextual Spaces.- 1.2.1.     The Mediterranean Region: Paradigmatic Shifts in a Challenging Context.- 1.2.1.1 Risky Migrations and the Mediatization of Controversies Re-visited.- 1.2.2.  The sub-Saharan in Migration: a Pending Reality of a complex Duality.- 1.2.3.   Latin American Migrations Repositioned: Inconsistencies and Ambivalences Demystified.- 1.2.4.   Asian Migrations in Focus: New Challenges, Contributions and Prospects.- 1.3           The Construction of Migrations in Filmic Discourses: Cinematic Spaces in Context(s).- 1.3.1      Subjectivation, Fictionalization and Resilience: Cinematic Devices Reconsidered.- 1.3.2      Hegemonic and Counter-hegemonic Migration Discourses and Representation in Media and Cinema.- 1.3.2.1 The Spanish Case.- 1.3.2.2  The Moroccan Case.- 1.3.2.3  The Sub-Saharan Case.- 1.3.2.4  Other Mediterranean Migration Films.- 1.3.2.5  The Latin American case.- 1.3.2.6  The Asian case.- PART II: The Cosmopolitan Festivalization of Migrations in Films: A Conceptual Reading 2.1 The Conceptual Debate about Migration Film Festivals: A contribution.- 2.1.1 Migration Film Festivals in Motion: Specificities, Underlying Forces and Function.- 2.1.2 The Social Function of Migration Film Festivals: Witnessing, Negotiating, and Transforming the Public Space.- PART III: Migrations film festivals Across the Entertainment Divide.- 3.1 The internal dynamics of migration film festivals.- 3.1.1. Self-image in Migration Film Festivals: Visions and Missions.- 3.1.2 Curating beyond Entertainment: Constraints and Challenges.- 3.1.2.1. The Symbolic Frontiers of Curation in Centre-Periphery Binaries: Cannes and Beyond.- 3.1.2.2 The After Screening Activities: A Prolegomena to Film Reception.- 3.1.2.3. The Programming Dynamics: Partnerships, Promotion and Outreach in Migration Film Festivals.- 3.1.3 Challenges of Migration Film Festivals: A Critical Reflection.- 3.1.3.1 Innovation in Curation and Programming: A Contribution.- 3.1.3.2 Audiences in Migration Film Festivals: Catalyzers of Changing Perceptions.- 3.1.3.3. The Future Predicaments of Migration Film Festivals.- Conclusions.- Bibliography.- Index.

Migration Film Festivals

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    A Hardback by Lidia Peralta García

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      Publisher: Palgrave Macmillan
      Publication Date: Publication Date: 10/03/2025
      ISBN13: 9783031636929, 978-3031636929
      ISBN10:

      Description

      Book Synopsis

      INTRODUCTION.- PART I: Framing Migrations Discourses: Contexts and Evolution.- 1.1           Migrations as Controversial Discourses in the Global Public Arena.- 1.2           Migrations in their Geographical and Contextual Spaces.- 1.2.1.     The Mediterranean Region: Paradigmatic Shifts in a Challenging Context.- 1.2.1.1 Risky Migrations and the Mediatization of Controversies Re-visited.- 1.2.2.  The sub-Saharan in Migration: a Pending Reality of a complex Duality.- 1.2.3.   Latin American Migrations Repositioned: Inconsistencies and Ambivalences Demystified.- 1.2.4.   Asian Migrations in Focus: New Challenges, Contributions and Prospects.- 1.3           The Construction of Migrations in Filmic Discourses: Cinematic Spaces in Context(s).- 1.3.1      Subjectivation, Fictionalization and Resilience: Cinematic Devices Reconsidered.- 1.3.2      Hegemonic and Counter-hegemonic Migration Discourses and Representation in Media and Cinema.- 1.3.2.1 The Spanish Case.- 1.3.2.2  The Moroccan Case.- 1.3.2.3  The Sub-Saharan Case.- 1.3.2.4  Other Mediterranean Migration Films.- 1.3.2.5  The Latin American case.- 1.3.2.6  The Asian case.- PART II: The Cosmopolitan Festivalization of Migrations in Films: A Conceptual Reading 2.1 The Conceptual Debate about Migration Film Festivals: A contribution.- 2.1.1 Migration Film Festivals in Motion: Specificities, Underlying Forces and Function.- 2.1.2 The Social Function of Migration Film Festivals: Witnessing, Negotiating, and Transforming the Public Space.- PART III: Migrations film festivals Across the Entertainment Divide.- 3.1 The internal dynamics of migration film festivals.- 3.1.1. Self-image in Migration Film Festivals: Visions and Missions.- 3.1.2 Curating beyond Entertainment: Constraints and Challenges.- 3.1.2.1. The Symbolic Frontiers of Curation in Centre-Periphery Binaries: Cannes and Beyond.- 3.1.2.2 The After Screening Activities: A Prolegomena to Film Reception.- 3.1.2.3. The Programming Dynamics: Partnerships, Promotion and Outreach in Migration Film Festivals.- 3.1.3 Challenges of Migration Film Festivals: A Critical Reflection.- 3.1.3.1 Innovation in Curation and Programming: A Contribution.- 3.1.3.2 Audiences in Migration Film Festivals: Catalyzers of Changing Perceptions.- 3.1.3.3. The Future Predicaments of Migration Film Festivals.- Conclusions.- Bibliography.- Index.

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