Description

Book Synopsis

This book brings together philosophers, literary theorists, and art historians to argue for the philosophical significance of Michael Fried’s art history and criticism. Fried’s analyses of absorption and theatricality throw new light on problems in aesthetics, as well as questions surrounding authenticity, scepticism, modernity, and politics.



Trade Review

"This exemplary collection brings together philosophers, art historians, and literary scholars to shed light on the vast range of work by Michael Fried, and the relevance of Fried's work to philosophy . . . [It] opens an authentic, valuable dialogue between art and philosophy. Summing Up: Essential." – CHOICE Reviews

"This is a superb set of essays on the writing of Michael Fried . . . Every essay is lucid, scholarly, meticulously crafted, detailed and acute in a way worthy of Fried's virtuoso and philosophically subtle approach to the history of art."Notre Dame Philosophical Reviews



Table of Contents

Introduction: Michael Fried and Philosophy

Mathew Abbott

1. Modernism and the Discovery of Finitude

Mathew Abbott

2. "When I raise my arm": Michael Fried’s Theory of Action

Walter Benn Michaels

3. Why Does Photography Matter as Art Now, as Never Before? On Fried and Intention

Robert Pippin

4. Schiller, Schopenhauer, Fried

David Wellbery

5. Deep Relationality and the Hinge-like Structure of History: Michael Fried’s Photographs

Stephen Mulhall

6. Becoming Medium

Stephen Melville

7. Formulism and the Appearance of Nature

Richard Moran

8. Michael Fried, Theatricality, and the Threat of Skepticism

Paul J. Gudel

9. Michael Fried’s Intentionality

Rex Butler

10. On the (So-Called) Problem of Detail: Michael Fried, Roland Barthes, and Roger Scruton on Photography and Intentionality

Diarmuid Costello

11. The Aesthetics of Absorbtion

Magdalena Ostas

12. Grace and Equality, Fried and Rancière (and Kant)

Knox Peden

13. Diderot’s Conception of Aesthetic Subjectivity and the Possibility of Art

Andrew Kern

14. The Promise of the Present: Michael Fried’s Poetry Now

Jennifer Ashton

15. Constantin Constantius Goes to the Theater

Michael Fried

Michael Fried and Philosophy Modernism Intention

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    Order before 4pm today for delivery by Mon 8 Jun 2026.

    A Paperback by Mathew Abbott

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      View other formats and editions of Michael Fried and Philosophy Modernism Intention by Mathew Abbott

      Publisher: Taylor & Francis Ltd (Sales)
      Publication Date: 9/30/2020 12:00:00 AM
      ISBN13: 9780367667191, 978-0367667191
      ISBN10: 0367667193

      Description

      Book Synopsis

      This book brings together philosophers, literary theorists, and art historians to argue for the philosophical significance of Michael Fried’s art history and criticism. Fried’s analyses of absorption and theatricality throw new light on problems in aesthetics, as well as questions surrounding authenticity, scepticism, modernity, and politics.



      Trade Review

      "This exemplary collection brings together philosophers, art historians, and literary scholars to shed light on the vast range of work by Michael Fried, and the relevance of Fried's work to philosophy . . . [It] opens an authentic, valuable dialogue between art and philosophy. Summing Up: Essential." – CHOICE Reviews

      "This is a superb set of essays on the writing of Michael Fried . . . Every essay is lucid, scholarly, meticulously crafted, detailed and acute in a way worthy of Fried's virtuoso and philosophically subtle approach to the history of art."Notre Dame Philosophical Reviews



      Table of Contents

      Introduction: Michael Fried and Philosophy

      Mathew Abbott

      1. Modernism and the Discovery of Finitude

      Mathew Abbott

      2. "When I raise my arm": Michael Fried’s Theory of Action

      Walter Benn Michaels

      3. Why Does Photography Matter as Art Now, as Never Before? On Fried and Intention

      Robert Pippin

      4. Schiller, Schopenhauer, Fried

      David Wellbery

      5. Deep Relationality and the Hinge-like Structure of History: Michael Fried’s Photographs

      Stephen Mulhall

      6. Becoming Medium

      Stephen Melville

      7. Formulism and the Appearance of Nature

      Richard Moran

      8. Michael Fried, Theatricality, and the Threat of Skepticism

      Paul J. Gudel

      9. Michael Fried’s Intentionality

      Rex Butler

      10. On the (So-Called) Problem of Detail: Michael Fried, Roland Barthes, and Roger Scruton on Photography and Intentionality

      Diarmuid Costello

      11. The Aesthetics of Absorbtion

      Magdalena Ostas

      12. Grace and Equality, Fried and Rancière (and Kant)

      Knox Peden

      13. Diderot’s Conception of Aesthetic Subjectivity and the Possibility of Art

      Andrew Kern

      14. The Promise of the Present: Michael Fried’s Poetry Now

      Jennifer Ashton

      15. Constantin Constantius Goes to the Theater

      Michael Fried

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