Description

Book Synopsis
Spanning the entirety of the artist's career, Mel Kendrick: Seeing Things in Things charts the singular trajectory of one of the country's most adventurous sculptors.

With more than 100 works representing four decades, this is the definitive monograph on abstract sculptor Mel Kendrick, who first emerged in 1970s New York, where he studied with legends Tony Smith and Robert Morris. At a time when Minimal and Conceptual art dominated, Kendrick forged his own path, embarking on a career-long series of provocative investigations into the fundamentals and possibilities of sculpture, his restless experimentations with form, scale, and materiality realized in wood, rubber, cast paper, or concrete. Essays by Nancy Princenthal, Allison N. Kemmerer, Terrie Sultan, and Adam D. Weinberg, and a conversation between Kendrick and fellow artist Carroll Dunham provide fascinating perspective on forty years of art making in the aftermath of Minimalism.

Mel Kendrick Seeing Things in Things

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    A Hardback by Carroll Dunham, Allison N. Kemmerer

    £36.80

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    Order before 4pm tomorrow for delivery by Sat 17 Oct 2026.

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      Book details

      Publisher Rizzoli
      Published 10/13/2020 12:00:00 AM
      ISBN-13 9780847868971
      978-0847868971
      ISBN-10 0847868974

      Description

      Book Synopsis
      Spanning the entirety of the artist's career, Mel Kendrick: Seeing Things in Things charts the singular trajectory of one of the country's most adventurous sculptors.

      With more than 100 works representing four decades, this is the definitive monograph on abstract sculptor Mel Kendrick, who first emerged in 1970s New York, where he studied with legends Tony Smith and Robert Morris. At a time when Minimal and Conceptual art dominated, Kendrick forged his own path, embarking on a career-long series of provocative investigations into the fundamentals and possibilities of sculpture, his restless experimentations with form, scale, and materiality realized in wood, rubber, cast paper, or concrete. Essays by Nancy Princenthal, Allison N. Kemmerer, Terrie Sultan, and Adam D. Weinberg, and a conversation between Kendrick and fellow artist Carroll Dunham provide fascinating perspective on forty years of art making in the aftermath of Minimalism.

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