Description

Explore the dynamic world of 1960s Pop Art through Lucy Lippard's insightful analysis in this new addition to the Pocket Perspectives series. Pop Art epitomized the free spirit of the 1960s, blending carnival-like qualities with bold colours and monumental scale, but based on a tough, no-nonsense, no-refinement standard appropriate to its time. Renowned art critic and curator Lucy Lippard's classic, contemporaneous study enriches our understanding of this groundbreaking art movement. Across three chapters, the author first outlines the phenomenon of Pop Art, its antecedents and related styles ranging from folk art, Surrealism and Dada as well as the work of key artists such as Robert Rauschenberg and Jasper Johns. She then focuses on Pop Art in New York, discussing key iconic figures including Claes Oldenburg, Jim Dine, Roy Lichtenstein, James Rosenquist, Andy Warhol and Tom Wesselmann, who appropriated advertising, comics, and the conventions of commercial art and its specific

Lucy R. Lippard on Pop Art

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Hardback by Lucy Lippard

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Explore the dynamic world of 1960s Pop Art through Lucy Lippard's insightful analysis in this new addition to the Pocket... Read more

    Publisher: Thames & Hudson Ltd
    Publication Date: 9/26/2024
    ISBN13: 9780500028674, 978-0500028674
    ISBN10: 0500028672

    Non Fiction , Art & Photography

    Description

    Explore the dynamic world of 1960s Pop Art through Lucy Lippard's insightful analysis in this new addition to the Pocket Perspectives series. Pop Art epitomized the free spirit of the 1960s, blending carnival-like qualities with bold colours and monumental scale, but based on a tough, no-nonsense, no-refinement standard appropriate to its time. Renowned art critic and curator Lucy Lippard's classic, contemporaneous study enriches our understanding of this groundbreaking art movement. Across three chapters, the author first outlines the phenomenon of Pop Art, its antecedents and related styles ranging from folk art, Surrealism and Dada as well as the work of key artists such as Robert Rauschenberg and Jasper Johns. She then focuses on Pop Art in New York, discussing key iconic figures including Claes Oldenburg, Jim Dine, Roy Lichtenstein, James Rosenquist, Andy Warhol and Tom Wesselmann, who appropriated advertising, comics, and the conventions of commercial art and its specific

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