Description

Book Synopsis
Listen, Copy, Read: Popular Learning in Early Modern Japan endeavors to elucidate the mechanisms by which a growing number of men and women of all social strata became involved in acquiring knowledge and skills during the Tokugawa period. It offers an overview of the communication media and tools that teachers, booksellers, and authors elaborated to make such knowledge more accessible to a large audience. Schools, public lectures, private academies or hand-copied or printed manuals devoted to a great variety of topics, from epistolary etiquette or personal ethics to calculation, divination or painting, are here invoked to illustrate the vitality of Tokugawa Japan’s ‘knowledge market’, and to show how popular learning relied on three types of activities: listening, copying and reading. With contributions by: W.J. Boot, Matthias Hayek, Annick Horiuchi, Michael Kinski, Koizumi Yoshinaga, Peter Kornicki, Machi Senjūrō, Christophe Marquet, Markus Rüttermann, Tsujimoto Masashi, and Wakao Masaki.

Trade Review
'This volume is a most welcome contribution, shedding light upon early modern learning practices in a variety of specific fields while the individual essays illustrate an overarching trend toward facilitation of self-directed study.' Matthew Fraleigh, New Asia Books, (http://www.newasiabooks.org/) 'This ambitious volume works at the nexus of three fields: book history, intellectual history, and the history of education. Scholars of early modern Japanese intellectual history and education history will find much to learn from the wealth of primary sources the volume’s contributors bring to light, and, indeed, the volume’s editors seem to have conceptualized the study specifically with these advanced audiences in mind. (..) the volume also addresses the globally comparative field of book history. One of the real delights of Listen, Copy, Read is that it brings insights from the best Japanese scholarship on this subject into conversation with vibrant scholarly discussions of reading, publishing, authorship, and learning in Europe and North America.' Charlotte Eubanks, The Journal of Japanese Studies, 43/1, (Winter 2017)

Listen, Copy, Read: Popular Learning in Early Modern Japan

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    A Hardback by Matthias Hayek, Annick Horiuchi

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      Publisher: Brill
      Publication Date: 12/09/2014
      ISBN13: 9789004279704, 978-9004279704
      ISBN10:

      Description

      Book Synopsis
      Listen, Copy, Read: Popular Learning in Early Modern Japan endeavors to elucidate the mechanisms by which a growing number of men and women of all social strata became involved in acquiring knowledge and skills during the Tokugawa period. It offers an overview of the communication media and tools that teachers, booksellers, and authors elaborated to make such knowledge more accessible to a large audience. Schools, public lectures, private academies or hand-copied or printed manuals devoted to a great variety of topics, from epistolary etiquette or personal ethics to calculation, divination or painting, are here invoked to illustrate the vitality of Tokugawa Japan’s ‘knowledge market’, and to show how popular learning relied on three types of activities: listening, copying and reading. With contributions by: W.J. Boot, Matthias Hayek, Annick Horiuchi, Michael Kinski, Koizumi Yoshinaga, Peter Kornicki, Machi Senjūrō, Christophe Marquet, Markus Rüttermann, Tsujimoto Masashi, and Wakao Masaki.

      Trade Review
      'This volume is a most welcome contribution, shedding light upon early modern learning practices in a variety of specific fields while the individual essays illustrate an overarching trend toward facilitation of self-directed study.' Matthew Fraleigh, New Asia Books, (http://www.newasiabooks.org/) 'This ambitious volume works at the nexus of three fields: book history, intellectual history, and the history of education. Scholars of early modern Japanese intellectual history and education history will find much to learn from the wealth of primary sources the volume’s contributors bring to light, and, indeed, the volume’s editors seem to have conceptualized the study specifically with these advanced audiences in mind. (..) the volume also addresses the globally comparative field of book history. One of the real delights of Listen, Copy, Read is that it brings insights from the best Japanese scholarship on this subject into conversation with vibrant scholarly discussions of reading, publishing, authorship, and learning in Europe and North America.' Charlotte Eubanks, The Journal of Japanese Studies, 43/1, (Winter 2017)

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