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Book Synopsis

The book offers a completely new view of language and of languages such as Russian, Chinese, Bulgarian, Georgian, Danish and English by dividing them into three supertypes on the basis of a step-by-step examination of their relationship to perception and cognition, their representation of situations and their use in oral and written discourse. The dynamic processing of visual stimuli involves three stages: input (experience), intake (understanding) and outcome (a combination). The very choice among three modalities of existence gives a language a certain voice -- either the voice of reality based on situations, the speaker's voice involving experiences or the hearer's voice grounded on information. This makes grammar a prime index: all symbols are static and impotent and need a vehicle, i.e. grammar, which can bring them to the proper point of reference. Language is shown to be a living organism with a determinant category, aspect, mood or tense, which conquers territory from other potential competitors trying to create harmony between verbal and nominal categories. It is demonstrated that the communication processes are different in the three supertypes, although in all three cases the speaker must choose between a public and a private voice before the grammar is put into use.



Trade Review
"Durst-Anderson's theoretic discussions and illustrations of connections between perception, cognition and communication make for intriguing reading indeed."Anna Cabak Redei in: Cybernetics and Human Knowing,1-2/2014

Linguistic Supertypes: A Cognitive-Semiotic Theory of Human Communication

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    A Paperback by Per Durst-Andersen

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      View other formats and editions of Linguistic Supertypes: A Cognitive-Semiotic Theory of Human Communication by Per Durst-Andersen

      Publisher: De Gruyter
      Publication Date: Publication Date: 15/03/2012
      ISBN13: 9783110253146, 978-3110253146
      ISBN10: 3110253143

      Description

      Book Synopsis

      The book offers a completely new view of language and of languages such as Russian, Chinese, Bulgarian, Georgian, Danish and English by dividing them into three supertypes on the basis of a step-by-step examination of their relationship to perception and cognition, their representation of situations and their use in oral and written discourse. The dynamic processing of visual stimuli involves three stages: input (experience), intake (understanding) and outcome (a combination). The very choice among three modalities of existence gives a language a certain voice -- either the voice of reality based on situations, the speaker's voice involving experiences or the hearer's voice grounded on information. This makes grammar a prime index: all symbols are static and impotent and need a vehicle, i.e. grammar, which can bring them to the proper point of reference. Language is shown to be a living organism with a determinant category, aspect, mood or tense, which conquers territory from other potential competitors trying to create harmony between verbal and nominal categories. It is demonstrated that the communication processes are different in the three supertypes, although in all three cases the speaker must choose between a public and a private voice before the grammar is put into use.



      Trade Review
      "Durst-Anderson's theoretic discussions and illustrations of connections between perception, cognition and communication make for intriguing reading indeed."Anna Cabak Redei in: Cybernetics and Human Knowing,1-2/2014

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