Description
Book SynopsisJoseph Conrad’s Texts and Intertexts. In Honour of Professor Wiesław Krajka is a collection of studies that examine various aspects of Joseph Conrad’s literary art, with the organizing ideas being textuality and intertextuality, both broadly understood. Intertextual relationships are perceived in terms of influence of literary, cultural, and philosophical tradition upon his oeuvre, but also affinities between and departures from the works of his predecessors (Miquel Cervantes, John Milton, post-Miltonian tradition), contemporaries (Henry James, H. G. Wells), and those who followed him (Aksel Sandemose, Premendra Mitra) and adapted his works (János Gosztonyi). Textuality is seen from the perspective of the artistic organization of his texts, but also as a means with which to identify the interpretative paths and thematic interests, in particular the social, moral, and economic issues that he tackled in his fiction.
The papers apply various theoretical perspectives, ranging from Bakhtinian ethics and Lacanian criticism to Jean-François Lyotard’s philosophy and Georg Simmel’s sociology. Thematically, the essays tackle such diverse issues as escapism, femininity, the arts, illicit conduct, fidelity, secrecy, isolation, immigration, otherness, terrorism, and social equality. Each new reading unveils Conrad’s artistic genius as the authors re-evaluate both the critically acclaimed and the less known works. From this constellation of international scholarship there emerges one common trait discernible in Conrad’s works, both when they analysed on their own and in juxtaposition with those of other writers: ambivalence. This stimulates ever new interpretations and indicate Conrad’s unparalleled ability to provoke readers to constantly rediscover artistic and ethical dimensions of his oeuvre. This book is volume 32 of the series Conrad: Eastern and Western Perspectives, edited by Wiesław Krajka.
Table of ContentsEwa Kujawska-Lis: Wiesław Krajka. Appreciation
Ewa Kujawska-Lis: Introduction
Małgorzata Stanek: Imagination and Inertness: Escapes and Fictional Spaces in Conrad
Jarosław Giza: Conradian femmes fatales – Winnie Verloc, Freya, the Governess, and Susan Bacadou: Utterly Evil?
Sylwia Janina Wojciechowska: Patterns of Nostalgia in the Autobiographical Reflections of Joseph Conrad and Henry James
Anna Szczepan-Wojnarska: Almayer’s Aria
Brian Richardson: Sense Perception and Synaesthesia in Conrad’s Fiction
Peter Vernon: “The Gaiety of Language is Our Seigneur”: On the Function of Art in Some of Conrad’s Major Works
Michel Arouimi: Poetics of Contradiction in The Secret Agent
Maria Paola Guarducci: (Un)Familiar Ground. European Domestic Dramas in the Fiction of Joseph Conrad
Agnieszka Setecka: The Sociology of Information in Joseph Conrad’s The Secret Agent
Nergis Ünal: A Bakhtinian Analysis of the Protagonist’s Ethical Dilemmas in Joseph Conrad’s Under Western Eyes
Laurence Davies: Conrad’s Fascination with Illicit Bombs and Weaponry
Brygida Pudełko: H. G. Wells and Joseph Conrad: The Art of Fiction and Recurring Themes in Their Works
Grażyna Maria Teresa Branny: Intertextuality and Denegation in Conrad’s Earliest Short Story “The Black Mate”
David Schauffler: Yanko Goorall and Espen Arnakke: Similarities and Differences between “Amy Foster” and En sjømann går i land by Aksel Sandemose
Subhadeep Ray: “Why not tell me a tale?”: Dislocating the Genre in Joseph Conrad’s “The Tale” and Premendra Mitra’s “The Discovery of Telenāpotā”
Balázs Csizmadia: Narrated Drama: János Gosztonyi’s Büvölet as an Adaptation of Conrad’s Victory
Chris Cairney: Conrad in an Age of Social Justice: Teaching The Secret Agent in Light of Contemporary Issues
