Description
Book SynopsisThis volume addresses the relationship between irony and popular culture and the role of the consumer in determining and disseminating meaning. Arguing that in a cultural climate largely characterised by fractious communications and perilous linguistic exchanges, the very role of irony in popular culture needs to come under greater scrutiny, it focuses on the many uses, abuses, and misunderstandings of irony in contemporary popular culture, and explores the troubling political populism at the heart of many supposedly satirical and (apparently) non-satirical texts. In an environment in which irony is frequently claimed as a defence for material and behaviour judged controversial, how do we, as a society entrenched in forms of popular culture and media, interpret work that is intended as satire but which reads as unironic? How do we accurately decode works of popular film, literature, television, music, and other cultural forms which sell themselves as bitingly ironic commentaries on
Table of Contents
Introduction: Isn’t it Ironic?: Irony in Contemporary Popular Culture 1. Peeling The Onion: Pop Culture Satire in the Writing Classroom 2. For Your Eyes Only?: Brexit, Bond, and British Meme Culture 3. ‘About 136’: Bob Dylan’s Democratic Irony 4. New Irony and Old Sincerity: How the Metamodern and the Post-secular Meet in Indie Rock 5. Sarcastic Turbulence: Irony, Seriousness, and Ambiguity in Black Metal Music Culture 6. Funny People: Comedic Performance and Irony in Knocked Up and This is 40 7. Irony and Iron Man: The Marvel Cinematic Universe and the Postmodern Rejection of Values 8. ‘We Could All Do with Some School’: The Miseducation of Elizabeth and Charles in Netflix’s The Crow 9. Human After All: The Irony of Black Mirror
