Description

Book Synopsis
The untold story of the Philippine Constabulary Band offers a unique opportunity to examine the limits and porousness of America's racial ideologies, exploring musical pleasure at the intersection of Euro-American cultural hegemony, racialization, and US colonization of the Philippines.

Trade Review
Instruments of Empire is the first book-length study of the historic Philippine Constabulary Band, a military band (and, in their later years, an orchestra) led by African American US military officer and bandleader Lt. Walter H. Loving. Through close readings of archival documents, oral histories and interviews, secondary sources, and reimaginings of prior performances, Talusan brings music—its performers and performances—to the forefront. Her work beautifully lays out for us how these Filipino musicians and their work teach us to listen against the ‘imperial ear’ and, in the process, apprehend the deep significance of the Philippine Constabulary Band’s early twentieth-century musical and everyday performances until today.

Instruments of Empire Filipino Musicians Black

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    A Paperback by Mary Talusan

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      Publisher: MP-MPP University Press of Mississippi
      Publication Date: 8/30/2021 12:00:00 AM
      ISBN13: 9781496835673, 978-1496835673
      ISBN10: 1496835670
      Also in:
      Ethnic studies / Ethnicity

      Description

      Book Synopsis
      The untold story of the Philippine Constabulary Band offers a unique opportunity to examine the limits and porousness of America's racial ideologies, exploring musical pleasure at the intersection of Euro-American cultural hegemony, racialization, and US colonization of the Philippines.

      Trade Review
      Instruments of Empire is the first book-length study of the historic Philippine Constabulary Band, a military band (and, in their later years, an orchestra) led by African American US military officer and bandleader Lt. Walter H. Loving. Through close readings of archival documents, oral histories and interviews, secondary sources, and reimaginings of prior performances, Talusan brings music—its performers and performances—to the forefront. Her work beautifully lays out for us how these Filipino musicians and their work teach us to listen against the ‘imperial ear’ and, in the process, apprehend the deep significance of the Philippine Constabulary Band’s early twentieth-century musical and everyday performances until today.

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