Description
Book SynopsisCHAPTER 1: SOME ECONOMIC INSTITUTIONS AND THEIR IMPLICATIONS FOR INEQUITIES IN THE ARTS.- CHAPTER 2: CULTURAL POLICY OF THE OPPRESSED: AN ANALYSIS OF COLONIALISM, EXPANSIONISM, AND IMPERIALISM IN CULTURAL POLICY SCHOLARSHIP.- CHAPTER 3: HOW DO WE EXPLAIN INEQUALITY WITHIN ARTISTIC AND CULTURAL OCCUPATIONS? THE PROBLEM OF DOWNWARD SOCIAL MOBILITY.- CHAPTER 4: STEPPING OUTSIDE THE CLASSROOM: CONNECTING CONTEXTUAL FACTORS OF AMERICAN UNIVERSITIES AND ARTS ALUMNI'S ENTREPRENEURIAL INTENTIONS.- CHAPTER 5: ACTIVISTS VERSUS GATEKEEPERS? GALLERY REPRESENTATION, REPUTATIONAL MARKERS, AND THE STRUCTURE OF OPPORTUNITIES FOR ARTISTS IN THE US CONTEMPORARY ARTWORLD.-CHAPTER 6: THE ROLE OF ARTS INCUBATORS IN ADDRESSING DIGITAL DIVIDE INEQUITIES.- CHAPTER 7: INEQUITIES IN THE CULTURAL DATA INFRASTRUCTURE: INSIGHTS FROM TWO RECENT STUDIES.- CHAPTER 8: STATE ARTS ORGANIZATION GRANTS AND REGIONAL EQUALITY: COMMUNITY ENGAGEMENT AND GRANTS DECISIONS.- CHAPTER 9: COMMUNITY CULTURE TO REDUCE INEQUALITY IN CULTURAL PARTICIPATION? POTENTIALITIES AND PITFALLS OF BARCELONA CIVIC CENTERS NETWORK.- CHAPTER 10: ART, CRAFT, AND SOCIAL JUSTICE: MAPPING INSTITUTIONAL PERSPECTIVES FROM THE CREATIVE COMMONS.- CHAPTER 11: THE PURSUIT OF EQUALITY THROUGH PUBLIC FUNDING FOR THE ARTS.
