Description
Book SynopsisFor almost sixty years, media technologies have promised users the ability to create sonic safe spaces for themselves—from bedside white noise machines to Beats by Dre''s “Hear What You Want” ad campaign, in which Colin Kaepernick''s headphones protect him from taunting crowds. In Hush, Mack Hagood draws evidence from noise-canceling headphones, tinnitus maskers, LPs that play ocean sounds, nature-sound mobile apps, and in-ear smart technologies to argue the true purpose of media is not information transmission, but rather the control of how we engage our environment. These devices, which Hagood calls orphic media, give users the freedom to remain unaffected in the changeable and distracting spaces of contemporary capitalism and reveal how racial, gendered, ableist, and class ideologies shape our desire to block unwanted sounds. In a noisy world of haters, trolls, and information overload, guarded listening can be a necessity for self-care, but Hagood argu
Trade Review
"Hagood points out that we now often talk about personal freedom in terms of what we don’t have to listen to, and he focusses, in the book, on our efforts to navigate sonic nuisances, and also the paradox of combating sound with more sound, in a world that has become loud enough to damage our health. . . . The stakes of Hush might seem small . . . But, once you begin to think about the relationship between the sound waves that constantly pass through us and the potential loss of self, you become more attuned to all the beckoning noises of modern life." -- Hua Hsu * The New Yorker *
"Hush is provocative and insightful." -- Stephen Phillips * The Wire *
"Hagood leaves us rethinking media theory, sound studies, and the definition of media." -- John F. Barber * Leonardo Reviews *
"Hush is an important addition to the emerging field of sound studies. . . . Scholars of sound studies, digital media, broadcast media, disability studies, and those interested in the intersection of gender and race with media will find this book insightful." -- Jennifer Hyland Wang * Journal of Radio & Audio Media *
Table of Contents
Acknowledgments vii
Introduction. Hearing What We Want 1
Part I. Suppression 29
1. Tinnitus and Its Aural Remedies 31
Part II. Masking 73
2. Sleep-Mates and Sound Screens: Sound, Speed, and Circulation in Postwar America 75
3. The Ultimate Seashore: Environments and the Nature of Technology 116
4. A Quiet Storm: Orphic Apps and Infocentrism 148
Part III. Cancellation 175
5. Bose QuietComfort and the Mobile Production of Personal Space 177
6. Beats by Dre: Race and the Sonic Interface 198
Conclusion. Wanting What We Hear 220
Notes 235
References 245
Index 261
