Description

Book Synopsis
Max Creasy's new photographic workHow Things Look, plays with the gap between how things look and how things are.How Things Lookis, on the one hand,a statement about the appearance of things, the thing as object, as something to be observed. On the other hand, it suggests an unsettling possibility: how might things, inanimate objects, begin to look for example back at us? This collection of photographs could be considered a series of portraits, even if unconventional.The publication sequencing articulates unique associations within this collection of images and explores the simplicity of the connections between their appearance and the objects themselves. The utilisation of normative tools and materiality is conveyed throughout the publication but there is an abstraction at play; double covers give wayto a rotated format where facing images find themselves slipping onto the verso' of each spread. Alongsidean essay by Yuma Shinohara explores this precariousness at play in the work, in both Japanese and English.

How Things Look

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    A Paperback by Max Creasy

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      Publisher: InOtherWords
      Publication Date: 5/1/2024
      ISBN13: 9781739930967, 978-1739930967
      ISBN10: 1739930967

      Description

      Book Synopsis
      Max Creasy's new photographic workHow Things Look, plays with the gap between how things look and how things are.How Things Lookis, on the one hand,a statement about the appearance of things, the thing as object, as something to be observed. On the other hand, it suggests an unsettling possibility: how might things, inanimate objects, begin to look for example back at us? This collection of photographs could be considered a series of portraits, even if unconventional.The publication sequencing articulates unique associations within this collection of images and explores the simplicity of the connections between their appearance and the objects themselves. The utilisation of normative tools and materiality is conveyed throughout the publication but there is an abstraction at play; double covers give wayto a rotated format where facing images find themselves slipping onto the verso' of each spread. Alongsidean essay by Yuma Shinohara explores this precariousness at play in the work, in both Japanese and English.

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