Description

Book Synopsis
Provides an up-to-date, insightful take on modern American cinema's relations with, and influence on Reagan's, Clinton's and both Bush's administrations. George W.Bush, Clinton and Ronald Reagan's relations are revealed with radical celebrities like Sean Penn, Tim Robbins, Susan Sarandon and Warren Beatty. It contains unique 'behind the scenes' stories and exclusive, revealing interviews with Hollywood celebrities. Described by Tony Garnett as 'an ambitious and refreshing book', "Hollywood's New Radicalism" is a timely and contentious account of the last twenty-five years of American cinema. Ben Dickenson tells the story of the corporate take-over of the movies in the 1970s, and the subsequent transformation of Hollywood into the dominant force in the global media industry. Writing from the intersection where politics, society and cinema meet, and using exclusive interviews with Hollywood personalities, he explores the radicalising effect of such changes on liberal filmmakers like Warren Beatty, Michael Moore and Sean Penn in the past decade. He demonstrates how left-wing messages smuggled their way into 1980s movies, found a fuller voice in independent American cinema during the 1990s and flirted with mainstream popularity at the start of the new millennium. Bringing the story up to and through the 2004 Presidential election, he reveals how important Hollywood figures have become key members of a vigorous left - wing opposition to George W. Bush's Presidency.

Trade Review
"'Here's a book that explains how the industry we're in really works and how some of us try to get a human message through the system. Without question an enjoyable and stimulating read.' - Ed Asner Ambitious and refreshing. Ben Dickenson displays a rare and welcome use of political ideas, to make sense of Hollywood beyond its trivial surface.' - Tony Garnett"

Hollywood's New Radicalism: War, Globalisation and the Movies from Reagan to George W. Bush

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    A Paperback by Ben Dickenson

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      View other formats and editions of Hollywood's New Radicalism: War, Globalisation and the Movies from Reagan to George W. Bush by Ben Dickenson

      Publisher: Bloomsbury Publishing PLC
      Publication Date: 25/11/2005
      ISBN13: 9781845111038, 978-1845111038
      ISBN10:

      Description

      Book Synopsis
      Provides an up-to-date, insightful take on modern American cinema's relations with, and influence on Reagan's, Clinton's and both Bush's administrations. George W.Bush, Clinton and Ronald Reagan's relations are revealed with radical celebrities like Sean Penn, Tim Robbins, Susan Sarandon and Warren Beatty. It contains unique 'behind the scenes' stories and exclusive, revealing interviews with Hollywood celebrities. Described by Tony Garnett as 'an ambitious and refreshing book', "Hollywood's New Radicalism" is a timely and contentious account of the last twenty-five years of American cinema. Ben Dickenson tells the story of the corporate take-over of the movies in the 1970s, and the subsequent transformation of Hollywood into the dominant force in the global media industry. Writing from the intersection where politics, society and cinema meet, and using exclusive interviews with Hollywood personalities, he explores the radicalising effect of such changes on liberal filmmakers like Warren Beatty, Michael Moore and Sean Penn in the past decade. He demonstrates how left-wing messages smuggled their way into 1980s movies, found a fuller voice in independent American cinema during the 1990s and flirted with mainstream popularity at the start of the new millennium. Bringing the story up to and through the 2004 Presidential election, he reveals how important Hollywood figures have become key members of a vigorous left - wing opposition to George W. Bush's Presidency.

      Trade Review
      "'Here's a book that explains how the industry we're in really works and how some of us try to get a human message through the system. Without question an enjoyable and stimulating read.' - Ed Asner Ambitious and refreshing. Ben Dickenson displays a rare and welcome use of political ideas, to make sense of Hollywood beyond its trivial surface.' - Tony Garnett"

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