Description
Book SynopsisThrough an analysis of experimental theater, dance theater, performance art, and gallery-based installation art across eight countries, Analola Santana explores the theoretical issues shaped by the encounters and negotiations between different bodies in the current Latin American landscape.
Trade ReviewSantana cleverly locates her study in defining and re-defining abject bodies within the heavy weight of colonization that Latin America has suffered from the time of the conquest to today . . . [She] finds how these ‘freak' bodies have encountered, resisted, and hoped for a better present and future."" - Paola Hernández, University of Wisconsin
""An important contribution to the scholarly debates around colonialism, coloniality, and neoliberalism through the prism of aesthetics, performance, embodiment, abjection, race, gender, sexuality, and ableisms . . . a theoretically sophisticated and eminently readable analysis of how the ‘freak' comes to embody a broad range of deviant and non-normative positions: the queer, the colonial, the abject, the criminal, the neoliberal."" - Diana Taylor, New York University
