Description

Book Synopsis
Fear of Seeing traces the new wave of Chinese science fiction’s origin and development over the past three decades, exploring the core concerns and literary strategies that make it so distinctive and vital.

Trade Review
With Fear of Seeing, Mingwei Song opens our eyes to a brave new world of Chinese science fiction. It is a book that simultaneously celebrates the genre’s literary audacity, explores its innovative vision of the future, and reveals the uncanny horror hidden beneath its surface. -- Michael Berry, translator of Exorcism
Song has written the most critically significant and astonishingly revelatory account of the rise of new wave Chinese SF. Brilliant scholarship like this appears once in a lifetime, if we’re lucky. -- Junot Díaz, Pulitzer-Prize winning author of This Is How You Lose Her
Fear of Seeing demonstrates the paradoxical significance of the “new wave” of Chinese science fiction as a genre whose aesthetics and ethics offer their audience an alternative window on the cultural sphere: a window upon that which is unknown, uncertain, or otherwise hidden. -- Nathaniel Isaacson, author of Celestial Empire: the Emergence of Chinese Science Fiction
This is remarkably visionary and insightful scholarship on Chinese New Wave science fiction from the late 1990s to 2020s. Song’s panoramic yet in-depth analysis of various New Wave sf works is exceptionally informative. His theoretical exploration of the Neo-Baroque poetics in Chinese SF is thoroughgoing and inspiring. -- Hua Li, author of Chinese Science Fiction during the Post-Mao Cultural Thaw
Drawing on a near-encyclopedic knowledge of contemporary Chinese-language SF literature, combined with long-standing friendships with many of the corresponding authors, Song’s Fear of Seeing offers a provocative new look at this dynamic emerging field, while also examining how a dialectics of sight and blindness runs through the genre itself. -- Carlos Rojas, author of Homesickness: Culture, Contagion, and National Transformation in Modern China
Mingwei Song has written the definitive book on contemporary Chinese science fiction. From space odyssey to dystopian adventure, galactic cataclysm to millennial apocalypse, Song probes why science fiction matters so much for how we engage with—and imagine—China’s future and past, and offers observations on speculative poetics at the planetary scale. A groundbreaking work! -- David Der-wei Wang, author of Why Fiction Matters in Contemporary China

Table of Contents
Acknowledgments
Prologue: A Lonely Hidden Army, 2010
1. Poetics of the Invisible: Introducing the New Wave
2. Science Fiction as Method: Worlding the Genre
3. Can We Read “A Madman’s Diary” as Science Fiction? Rewriting Literary History
Excursus I: Looking Backward: 2010–1900
4. A Poetic Heart in the Dark Forest: Liu Cixin’s Three-Body Universe
5. The Power of Darkness in Han Song: Mythology of the Chthonic
6. Variations on Utopia: Specters and Myths
7. A Topology of Hope: Sinotopia and Heterotopia
8. Chinese New Wave Goes Global: The Posthuman Turn
Excursus II: The Rise of She-SF: 2010–2022
9. New Wonders of a Nonbinary Universe: Opening of the Neo-Baroque
Epilogue: The Wandering Earth, 2019
Notes
Bibliography
Index

Fear of Seeing

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    A Hardback by Mingwei Song

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      Publisher: Columbia University Press
      Publication Date: Publication Date: 03/10/2023
      ISBN13: 9780231204422, 978-0231204422
      ISBN10: 0231204426

      Description

      Book Synopsis
      Fear of Seeing traces the new wave of Chinese science fiction’s origin and development over the past three decades, exploring the core concerns and literary strategies that make it so distinctive and vital.

      Trade Review
      With Fear of Seeing, Mingwei Song opens our eyes to a brave new world of Chinese science fiction. It is a book that simultaneously celebrates the genre’s literary audacity, explores its innovative vision of the future, and reveals the uncanny horror hidden beneath its surface. -- Michael Berry, translator of Exorcism
      Song has written the most critically significant and astonishingly revelatory account of the rise of new wave Chinese SF. Brilliant scholarship like this appears once in a lifetime, if we’re lucky. -- Junot Díaz, Pulitzer-Prize winning author of This Is How You Lose Her
      Fear of Seeing demonstrates the paradoxical significance of the “new wave” of Chinese science fiction as a genre whose aesthetics and ethics offer their audience an alternative window on the cultural sphere: a window upon that which is unknown, uncertain, or otherwise hidden. -- Nathaniel Isaacson, author of Celestial Empire: the Emergence of Chinese Science Fiction
      This is remarkably visionary and insightful scholarship on Chinese New Wave science fiction from the late 1990s to 2020s. Song’s panoramic yet in-depth analysis of various New Wave sf works is exceptionally informative. His theoretical exploration of the Neo-Baroque poetics in Chinese SF is thoroughgoing and inspiring. -- Hua Li, author of Chinese Science Fiction during the Post-Mao Cultural Thaw
      Drawing on a near-encyclopedic knowledge of contemporary Chinese-language SF literature, combined with long-standing friendships with many of the corresponding authors, Song’s Fear of Seeing offers a provocative new look at this dynamic emerging field, while also examining how a dialectics of sight and blindness runs through the genre itself. -- Carlos Rojas, author of Homesickness: Culture, Contagion, and National Transformation in Modern China
      Mingwei Song has written the definitive book on contemporary Chinese science fiction. From space odyssey to dystopian adventure, galactic cataclysm to millennial apocalypse, Song probes why science fiction matters so much for how we engage with—and imagine—China’s future and past, and offers observations on speculative poetics at the planetary scale. A groundbreaking work! -- David Der-wei Wang, author of Why Fiction Matters in Contemporary China

      Table of Contents
      Acknowledgments
      Prologue: A Lonely Hidden Army, 2010
      1. Poetics of the Invisible: Introducing the New Wave
      2. Science Fiction as Method: Worlding the Genre
      3. Can We Read “A Madman’s Diary” as Science Fiction? Rewriting Literary History
      Excursus I: Looking Backward: 2010–1900
      4. A Poetic Heart in the Dark Forest: Liu Cixin’s Three-Body Universe
      5. The Power of Darkness in Han Song: Mythology of the Chthonic
      6. Variations on Utopia: Specters and Myths
      7. A Topology of Hope: Sinotopia and Heterotopia
      8. Chinese New Wave Goes Global: The Posthuman Turn
      Excursus II: The Rise of She-SF: 2010–2022
      9. New Wonders of a Nonbinary Universe: Opening of the Neo-Baroque
      Epilogue: The Wandering Earth, 2019
      Notes
      Bibliography
      Index

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