Description

Book Synopsis
A transdisciplinary collection of essays discussing the identity, nature, and future of visual studies as a laboratory for thinking about relations between fields including art history, cultural studies, sociology, visual anthropology, film studies, media studies, postcolonial studies, philosophy of history, the science of vision, and science studies.

Trade Review

Farewell to Visual Studies is astonishing and impressive. It opens the field to self-critical questions about its history, objects, and methods (in contrast to art history and German Bildwissenschaft). The statements of the editors at the beginning, the open-minded and self-critical discussion among the participants in the Chicago Seminars, and the contributions of the experts at the end deliver a deep impression of how such a self-assessment may lead to new shores.”

—Martina Sauer,Deutsche Gesellschaft für Semiotik (DGS)


“In looking back at the whole field of visual studies, the collection offers a lively contribution to the history of the inter/trans/in/discipline. It is a wonderful example of how understanding and new thinking are produced by performing intellectual clarification and innovation on the page, giving readers the sense of mediated participation in the Stone Center Seminars.”

—Jon Simons,Indiana University Bloomington



Table of Contents

Contents

Series Preface

Introductions

First Introduction: Starting Points

James Elkins

Second Introduction: Affect, Agency, and Aporia: An Indiscipline with Endemic Ambivalences and a Lack of Pictures

Gustav Frank

Third Introduction: Visual Studies, or, This is Not a Diagram

Sunil Manghani

The Seminars

1 Histories: Visuelle Kultur

2 Histories: Anglo-American Visual Studies, 1989–1999

3 Histories: 2000–2010

4 Histories: The Present Decade

5 Histories: Bildwissenschaft

6 Image, Meaning, and Power

7 A General Theory of Visual Culture

8 The Political

9 Science Studies

10 The Place of the Image

11 Envoi

Assessments

Preface

Sunil Manghani

Hans Dam Christensen

Emmanuel Alloa

Nell Andrew

Martin A. Berger

Marta Zarzycka

Theodore Gracyk

Tom Holert

Julia Orell

Kıvanç Kılınç

Mark Linder

Michele Emmer

Terri Weissman

Johanna Drucker

Vanessa R. Schwartz

Bernd Stiegler

Lisa Zaher

Stephan Günzel

Bernhard J. Dotzler

Sjoukje van der Meulen

Charles W. Haxthausen

Asbjørn Grønstad

Øyvind Vågnes

Mark Reinhardt

Charlotte Klonk

Yolaine Escande

Linda Báez Rubí

Miguel Á. Hernández-Navarro

Isabelle Decobecq

Tirza True Latimer

Anna Notaro

Notes on the Contributors

Index

Farewell to Visual Studies

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    RRP £33.95 – you save £1.70 (5%)

    Order before 4pm tomorrow for delivery by Sat 13 Jun 2026.

    A Paperback by James Elkins, Gustav Frank, Sunil Manghani

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      View other formats and editions of Farewell to Visual Studies by James Elkins

      Publisher: Penn State University
      Publication Date: 11/15/2016 12:00:00 AM
      ISBN13: 9780271070780, 978-0271070780
      ISBN10: 0271070781

      Description

      Book Synopsis
      A transdisciplinary collection of essays discussing the identity, nature, and future of visual studies as a laboratory for thinking about relations between fields including art history, cultural studies, sociology, visual anthropology, film studies, media studies, postcolonial studies, philosophy of history, the science of vision, and science studies.

      Trade Review

      Farewell to Visual Studies is astonishing and impressive. It opens the field to self-critical questions about its history, objects, and methods (in contrast to art history and German Bildwissenschaft). The statements of the editors at the beginning, the open-minded and self-critical discussion among the participants in the Chicago Seminars, and the contributions of the experts at the end deliver a deep impression of how such a self-assessment may lead to new shores.”

      —Martina Sauer,Deutsche Gesellschaft für Semiotik (DGS)


      “In looking back at the whole field of visual studies, the collection offers a lively contribution to the history of the inter/trans/in/discipline. It is a wonderful example of how understanding and new thinking are produced by performing intellectual clarification and innovation on the page, giving readers the sense of mediated participation in the Stone Center Seminars.”

      —Jon Simons,Indiana University Bloomington



      Table of Contents

      Contents

      Series Preface

      Introductions

      First Introduction: Starting Points

      James Elkins

      Second Introduction: Affect, Agency, and Aporia: An Indiscipline with Endemic Ambivalences and a Lack of Pictures

      Gustav Frank

      Third Introduction: Visual Studies, or, This is Not a Diagram

      Sunil Manghani

      The Seminars

      1 Histories: Visuelle Kultur

      2 Histories: Anglo-American Visual Studies, 1989–1999

      3 Histories: 2000–2010

      4 Histories: The Present Decade

      5 Histories: Bildwissenschaft

      6 Image, Meaning, and Power

      7 A General Theory of Visual Culture

      8 The Political

      9 Science Studies

      10 The Place of the Image

      11 Envoi

      Assessments

      Preface

      Sunil Manghani

      Hans Dam Christensen

      Emmanuel Alloa

      Nell Andrew

      Martin A. Berger

      Marta Zarzycka

      Theodore Gracyk

      Tom Holert

      Julia Orell

      Kıvanç Kılınç

      Mark Linder

      Michele Emmer

      Terri Weissman

      Johanna Drucker

      Vanessa R. Schwartz

      Bernd Stiegler

      Lisa Zaher

      Stephan Günzel

      Bernhard J. Dotzler

      Sjoukje van der Meulen

      Charles W. Haxthausen

      Asbjørn Grønstad

      Øyvind Vågnes

      Mark Reinhardt

      Charlotte Klonk

      Yolaine Escande

      Linda Báez Rubí

      Miguel Á. Hernández-Navarro

      Isabelle Decobecq

      Tirza True Latimer

      Anna Notaro

      Notes on the Contributors

      Index

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