Description



Table of Contents
Acknowledgements ; List of contributors ; About the companion web site ; Chapter 1. Introduction (Martin Clayton, Byron Dueck and Laura Leante) ; Chapter 2. Entrainment, ethnography and musical interaction (Martin Clayton) ; Chapter 3. Social co-regulation and communication in North Indian duo performances (Nikki Moran) ; Chapter 4. Groove: temporality, awareness and the feeling of entrainment in jazz performance (Mark Doffman) ; Chapter 5. Performing the Rosary: meanings of time in Afro-Brazilian Congado music (Glaura Lucas) ; Chapter 6. Performance and shame (Andy McGuiness) ; Chapter 7. Rhythm and role recruitment in Manitoban aboriginal vocal and instrumental music (Byron Dueck) ; Chapter 8. Imagery, gesture and listeners' construction of meaning in North Indian classical music (Laura Leante) ; Chapter 9. Embodiment and movement in musical performance (Martin Clayton and Laura Leante) ; References

EXPERIENCE AND MEANING IN MUSIC PERFORMANCE

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    A Paperback by Martin Clayton, Byron Dueck, Laura Leante

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      Publisher: Oxford University Press
      Publication Date: 11/7/2013 12:00:00 AM
      ISBN13: 9780199811311, 978-0199811311
      ISBN10: 0199811318
      Also in:
      Entertainment Theory of music and musicology Cognition and cognitive psychology

      Description



      Table of Contents
      Acknowledgements ; List of contributors ; About the companion web site ; Chapter 1. Introduction (Martin Clayton, Byron Dueck and Laura Leante) ; Chapter 2. Entrainment, ethnography and musical interaction (Martin Clayton) ; Chapter 3. Social co-regulation and communication in North Indian duo performances (Nikki Moran) ; Chapter 4. Groove: temporality, awareness and the feeling of entrainment in jazz performance (Mark Doffman) ; Chapter 5. Performing the Rosary: meanings of time in Afro-Brazilian Congado music (Glaura Lucas) ; Chapter 6. Performance and shame (Andy McGuiness) ; Chapter 7. Rhythm and role recruitment in Manitoban aboriginal vocal and instrumental music (Byron Dueck) ; Chapter 8. Imagery, gesture and listeners' construction of meaning in North Indian classical music (Laura Leante) ; Chapter 9. Embodiment and movement in musical performance (Martin Clayton and Laura Leante) ; References

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