Description

Leaving fingerprints and tool marks behind, a São Paulo artist evokes the cycles of the cosmos This volume takes an expansive view of the bold and influential practice of Brazilian artist Erika Verzutti (born 1971), surveying more than 60 pieces made over the past 15 years. In Verzutti’s art, moons recur as symbols of renewal and the multiple phases that a person or entity can pass through. Her work presents novel modes of perception by orbiting outside set systems of being—zooming out, in a telescopic sense, to the point where the relations we take so seriously here on Earth can be rethought. Vibrant illustrations of individual works and installation views of New Moons, the artist’s first US museum survey, highlight how her approaches to display and presentation reveal such relationships. Presenting original scholarship on the art historical and theoretical aspects of Verzutti’s practice as well as the artist’s own writing, this book offers insights on the inspiration and multifaceted ideas at play across her work.

Erika Verzutti: New Moons

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Hardback by Erika Verzutti , Lauren Cornell

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Leaving fingerprints and tool marks behind, a São Paulo artist evokes the cycles of the cosmos This volume takes an... Read more

    Publisher: Dancing Foxes Press
    Publication Date: 29/02/2024
    ISBN13: 9781954947085, 978-1954947085
    ISBN10: 1954947089

    Number of Pages: 160

    Non Fiction , Art & Photography

    Description

    Leaving fingerprints and tool marks behind, a São Paulo artist evokes the cycles of the cosmos This volume takes an expansive view of the bold and influential practice of Brazilian artist Erika Verzutti (born 1971), surveying more than 60 pieces made over the past 15 years. In Verzutti’s art, moons recur as symbols of renewal and the multiple phases that a person or entity can pass through. Her work presents novel modes of perception by orbiting outside set systems of being—zooming out, in a telescopic sense, to the point where the relations we take so seriously here on Earth can be rethought. Vibrant illustrations of individual works and installation views of New Moons, the artist’s first US museum survey, highlight how her approaches to display and presentation reveal such relationships. Presenting original scholarship on the art historical and theoretical aspects of Verzutti’s practice as well as the artist’s own writing, this book offers insights on the inspiration and multifaceted ideas at play across her work.

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