Description
Book SynopsisTrade ReviewA great read, even for readers who do not know about the Harlem Renaissance and Eric Walrond. The book tells a fascinating and moving story of a literary talent's demise, or what it takes to nurture and support the literary talents of minority and impoverished writers struggling with their issues of self-esteem and self-confidence while living in straitened circumstances. -- Michelle Ann Stephens, Rutgers University–New Brunswick
Eric Walrond, handsome, cosmopolitan, and beguilingly enigmatic, may have been the most promising literary talent of the Harlem Renaissance. His collection,
Tropic Death, was an astonishing
succes d'estime. A Guggenheim Fellowship certified the promise of
The Big Ditch, Walrond's bildungsroman of capitalism, underdevelopment, and race. In one of the more mysterious losses in American letters, the book never appeared and its author disappeared. James Davis's finely written, beautifully paced
Eric Walrond is a major biography of a fascinating figure, a triumph of archival sleuthing that reintroduces readers to almost everybody known to his peripatetic protagonist. -- David Levering Lewis, New York University
Davis has given us a rich portrait of the writer who may be the greatest conundrum of the Harlem Renaissance: Eric Walrond. He not only situates the 'sepulchral' brilliance of Walrond's best-known book,
Tropic Death, but also recovers a much larger corpus of fugitive articles and stories. As peripatetic (with stops in Barbados, Panama, the United States, Haiti, France, and England) as it was ultimately tragic, Walrond's life may be the single most resonant record of the transnational contours of black culture in the period. -- Brent Hayes Edwards, author of
The Practice of DiasporaAn eloquent biography. . . . Davis's careful and meticulous research re-establishes Walrond as one of the first black writers to depict Caribbean lives and voices in American fiction, putting him alongside his peers in the Harlem Renaissance. * Publishers Weekly *
[A] wonderful biography. -- Darryl Pinckney * New York Review of Books *
[Davis's] biography provides deft readings of the Harlem Renaissance and the transatlantic Caribbean, while bringing Walrond out of the shadows. -- Douglas Field * Times Literary Supplement *
Well-researched and highly readable. * Caribbean Quarterly *
Skillfully researched and engagingly composed, the books stands as a discerning recuperation of a paradigmatic but neglected figure. * Small Axe Salon *
[An] excellent new biography of Walrond. -- James Smethurst * Journal of American History *
A wonderfully readable book in eleven chapters -- Carole Boyce Davies * Carribbean Studies Association Newsletter *
[A] highly readable narrative... excellent, painstakingly researched. * New West Indian Guide *
James Davis’s reconstruction of the life of Eric Walrond, and Christian Høgsbjerg’s measured account of the first phase of C L R James’s life in England, are both magnificent contributions to our understanding of the twentieth-century Caribbean. -- Bill Schwartz * Wasafiri *
Table of ContentsAcknowledgments
Abbreviations
Chronology
Introduction: A Harlem Story, a Diaspora Story
1. Guyana and Barbados (1898–1911)
2. Panama (1911–1918)
3. New York (1918–1923)
4. The New Negro (1923–1926)
5.
Tropic Death6. A Person of Distinction (1926–1929)
7. The Caribbean and France (1928–1931)
8. London I (1931–1939)
9. Bradford-on-Avon (1939–1952)
10. Roundway Hospital and
The Second Battle (1952–1957)
11. London II (1957–1966)
Postscript
Notes
Bibliography
Index
