Description
Book SynopsisThis is the first reference work to describe the history of embroidery throughout Central Asia, the Iranian Plateau and the Indian Subcontinent from the medieval period through to the present. It offers an authoritative guide to all the major embroidery traditions of the region and a detailed examination of the material, technical, artistic and design dimensions of the subject, including its use by today's fashion designers.For millennia, the peoples of Central Asian, the Iranian Plateau and the Indian Subcontinent have migrated and traded along the multiple strands of the Silk Road, both northsouth and eastwest. This history of contact has found rich expression within the arts and crafts of the region and particularly in the heritage of embroidery which has sat at the heart of the social and cultural lives of these diverse communities. Embroidery has been produced to decorate individuals, their families, their clients, their homes and public spaces and has reflected economic and po
Trade ReviewAn essential resource for students and scholars. * Book Threads *
The encyclopedia will provide researchers with a strong knowledge base, including local language for techniques and a list of museums and institutions with related objects and collections for further study. The volume includes 125 excellent stitch diagrams based on "family" group, followed by a stitch list for practitioners, conservators, and curators. The true encyclopedia style of this book makes it easy to use as a reference. * CHOICE *
This volume is a great reference book for archaeologists, anthropologists, historians, art historians, textile curators of museum collections, and private collectors. It is a source of inspiration for embroiderers, designers, textile artists, and anyone passionate about embroidery from this interesting area. * International Institute of Asian Studies *
Encyclopedia of Embroidery is a very accessible book. It is well laid out, easy to navigate, and easy to read. It is filled with facts, but these facts are presented in a personal and understandable way. The author’s obvious interest and delight in the subject matter, her genuine interest in, not only embroidery but in sharing her knowledge and love of the subject with the reader, is palpable. * The Zay Initiative *
This book is relatable, practical, easy to read and packed with information. As with the first volume – this is not just a book, it is a legacy. * The Fabric Thread *
This important encyclopedia covers a vast geographic and historical span with not only scholarship and technical expertise but with fascinating insights. Readers from many disciplines, art and embroidery, sociocultural historians and anthropologists as well as those interested in intercultural links will learn a lot from this magnificent production. Gillian Vogelsang-Eastwood and Willem Vogelsang should be complimented on a classic, which provides a vast amount of information within a single volume. -- Shernaz Cama, UNESCO Parsi Zoroastrian Project and University of Delhi, India
Gillian Vogelsang-Eastwood follows up her masterful volume
Encyclopedia of Embroidery from the Arab World with seven further volumes covering the rest of the world. Each is replete with historical and geographical background and delineates the notable embroidered products of each region set into their social context. The techniques are illustrated with clear diagrams of the stitches employed. An essential guide for every textile enthusiast. -- John Gillow, Textile Specialist, UK
An extraordinary achievement, comprehensively exploring the rich embroidering traditions of three regions. Profusely illustrated with photographs, diagrams, and stitch layouts, accessible in writing and explanation, this work will stand as a lasting reference tool for academics, artists, and enthusiasts. -- The Textile Society of America
Table of ContentsContributors Preface Acknowledgements
Section One: Background Information 1. Introduction 2. Fibres, Threads and Ground Materials 3. Embroidery Tools and Equipment 4. Hand and Machine Embroidery Techniques 5. Designs and Designers
Section Two: Historical Embroideries 6. Introduction: Evidence for early Central Asian and Iranian Plateau Embroidery 7. Safavid Period Embroidery 8. Ancient and Historical References to Indian Subcontinent Embroidery 9. Snapshot: Medieval Nepalese Embroidery 10. The Mughal Court and Embroidery 11. Snapshot: Indian Quilts for European Markets
Section Three: Embroidery from Central Asia 12. Introduction 13. Snapshot: Embroidered Caps from Central Asia and Afghanistan 14. Embroidery from Kazakhstan 15. Embroidery from Kyrgyzstan 16. Embroidery from Uzbekistan 17. Suzanis 18. Embroidery from Turkmenistan 19. Embroidery from Tajikistan
Section Four: Embroidery from the Iranian Plateau 20. Introduction 21. Snapshot: Embroidered Zurkhaneh Breeches 22. Qajar and Later Embroidery 23. Embroidery on Modern Iranian Regional Clothing 24. Embroidery from Afghanistan 25. Snapshot: Afghan Coats and Western Fashion
Section Five: Embroidery from the Indian Subcontinent 26. Introduction 27. Embroidery from Baluchistan 28. Embroidery from Pakistan 29.
Phulkari Embroidery 30. Introduction to Indian Embroidery 31. Woven and Embroidered Shawls from Kashmir 32. Embroidery from Northern India 33. Embroidery from Western and Southern India 34. Indian Metal thread embroidery (
Zardozi) 35. Snapshot: Three Examples of Indian Beadwork 36. Snapshot: Indian Fashion Designers and Hand Embroidery 37. Snapshot: The Roles of NGOs and Other Groups within the Field of Hand Embroidery in India 38. Embroidery from Nepal 39. Embroidery from Bhutan 40. Embroidery from Bangladesh 41. Snapshot: Embroidery and Lace from Sri Lanka 42. Snapshot: ‘Embroidery’ from the Maldives
Section Six: Appendices Appendix 1a: Drawings of the Embroidery Stitches Appendix 1b: A-Z List of Embroidery Stitches Appendix 2: International Collections with Relevant Embroideries Bibliography Index
