Description

Book Synopsis
Julia Kristeva has been both attracted and repelled by Dostoyevsky since her youth. In this extraordinary book, by turns poetic and intensely personal, she brings her unique critical sensibility to bear on the tormented and visionary Russian author.

Trade Review
Poetic, stunning, fascinating, and deeply insightful, Kristeva’s readings of Dostoyevsky are as much about us and our time as they are about him and his works. This book is a celebration of literature and language as an antidote to the extremes of nihilism and fundamentalism that still threaten us today. -- Kelly Oliver, philosopher, novelist, and professor emerita, Vanderbilt University
The full force of Julia Kristeva’s lifetime of (psycho)analyzing revolutionary writers and speaking beings come together in this masterful analysis of Fyodor Dostoyevsky’s life and work. Dostoyevsky’s polyphonic novels, as Kristeva brilliantly shows, exemplify the human capacity for sublimation. Decades before Freud’s discovery of the unconscious and its primary processes, Dostoyevsky was very deliberately wielding the sting of the negative, turning demons into words, new meanings, and art. -- Noëlle McAfee, author of Fear of Breakdown: Politics and Psychoanalysis

Table of Contents
Preface
Part I: The Flood of Language
1. The Condemned Man, the Sacred Malady, and the Sun
2. Dostoyevsky, “Author of My Life”
3. In the Steps of the Liberated Convict
4. Beyond Neurosis
5. The God-Man, the Man-God
6. The Purloined Letter
7. Everything Is Permitted
Part II: A Carnivalesque Theologian
8. The Russian Virus
9. Christocentrism
10. The Pleasures of Evil and Misfortune
11. The National Christ
12. Catholicism, Atheism, Nihilism
13. The Nihilist Seeking God
14. Laughter, Spokesperson for the Obscene
15. “The Novel Is a Poem”
Notes
Bibliography
Index

Dostoyevsky in the Face of Death

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    A Paperback / softback by Julia Kristeva, Armine Kotin Mortimer

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      View other formats and editions of Dostoyevsky in the Face of Death by Julia Kristeva

      Publisher: Columbia University Press
      Publication Date: 19/12/2023
      ISBN13: 9780231210515, 978-0231210515
      ISBN10: 0231210515

      Description

      Book Synopsis
      Julia Kristeva has been both attracted and repelled by Dostoyevsky since her youth. In this extraordinary book, by turns poetic and intensely personal, she brings her unique critical sensibility to bear on the tormented and visionary Russian author.

      Trade Review
      Poetic, stunning, fascinating, and deeply insightful, Kristeva’s readings of Dostoyevsky are as much about us and our time as they are about him and his works. This book is a celebration of literature and language as an antidote to the extremes of nihilism and fundamentalism that still threaten us today. -- Kelly Oliver, philosopher, novelist, and professor emerita, Vanderbilt University
      The full force of Julia Kristeva’s lifetime of (psycho)analyzing revolutionary writers and speaking beings come together in this masterful analysis of Fyodor Dostoyevsky’s life and work. Dostoyevsky’s polyphonic novels, as Kristeva brilliantly shows, exemplify the human capacity for sublimation. Decades before Freud’s discovery of the unconscious and its primary processes, Dostoyevsky was very deliberately wielding the sting of the negative, turning demons into words, new meanings, and art. -- Noëlle McAfee, author of Fear of Breakdown: Politics and Psychoanalysis

      Table of Contents
      Preface
      Part I: The Flood of Language
      1. The Condemned Man, the Sacred Malady, and the Sun
      2. Dostoyevsky, “Author of My Life”
      3. In the Steps of the Liberated Convict
      4. Beyond Neurosis
      5. The God-Man, the Man-God
      6. The Purloined Letter
      7. Everything Is Permitted
      Part II: A Carnivalesque Theologian
      8. The Russian Virus
      9. Christocentrism
      10. The Pleasures of Evil and Misfortune
      11. The National Christ
      12. Catholicism, Atheism, Nihilism
      13. The Nihilist Seeking God
      14. Laughter, Spokesperson for the Obscene
      15. “The Novel Is a Poem”
      Notes
      Bibliography
      Index

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