Description

Book Synopsis

The role of disability and deafness in art
Distressing Language is full of mistakeserrors of hearing, speaking, writing, and understanding. Michael Davidson engages the role of disability and deafness in contemporary aesthetics, exploring how physical and intellectual differences challenge our understanding of art and poetry.
Where hearing and speaking are considered normative conditions of the human, what happens when words are misheard and misspoken? How have writers and artists, both disabled and non-disabled, used error as generative elements in contesting the presumed value of sounding good? Distressing Language grows out of the author's experience of hearing loss in which misunderstandings have become a daily occurrence. Davidson maintains that verbal confusions are less an aberration in understanding than a component of new knowledge.
Davidson discusses a range of sites, from captioning errors and Bad Lip Reads on YouTube, to the deaf arti

Trade Review

Drawing on his own experience of increasing deafness, Davidson provides an engrossing look
into the ways that slips or unusual forms of language can unexpectedly lead to new meanings and
beauty. Distressing Language expertly weaves together modern poetry and fiction, popular
culture, sign language art, theory, politics, and history, and is often as funny as it is profound.

* Christopher Krentz, author of Writing Deafness: The Hearing Line in Nineteenth-Century American Literature *

A highly original account of language, meaning, and sound, all framed through hearing loss. In
Davidson’s account, meaning and value come from things not working the way they are
supposed to. But rather than fetishizing technical glitch or aesthetic failure, he processes
meaning through a disability hermeneutic. Throughout Distressing Language, the lines between
poetry, sound art, and music are intentionally blurred and violated, while the meaning of sound is
foregrounded as something especially important for those who have limited access to it.

* Jonathan Sterne, McGill University *

Distressing Language

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    Order before 4pm tomorrow for delivery by Sat 4 Jul 2026.

    A Hardback by Michael Davidson

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      View other formats and editions of Distressing Language by Michael Davidson

      Publisher: New York University Press
      Publication Date: 22/03/2022
      ISBN13: 9781479813827, 978-1479813827
      ISBN10: 1479813826

      Description

      Book Synopsis

      The role of disability and deafness in art
      Distressing Language is full of mistakeserrors of hearing, speaking, writing, and understanding. Michael Davidson engages the role of disability and deafness in contemporary aesthetics, exploring how physical and intellectual differences challenge our understanding of art and poetry.
      Where hearing and speaking are considered normative conditions of the human, what happens when words are misheard and misspoken? How have writers and artists, both disabled and non-disabled, used error as generative elements in contesting the presumed value of sounding good? Distressing Language grows out of the author's experience of hearing loss in which misunderstandings have become a daily occurrence. Davidson maintains that verbal confusions are less an aberration in understanding than a component of new knowledge.
      Davidson discusses a range of sites, from captioning errors and Bad Lip Reads on YouTube, to the deaf arti

      Trade Review

      Drawing on his own experience of increasing deafness, Davidson provides an engrossing look
      into the ways that slips or unusual forms of language can unexpectedly lead to new meanings and
      beauty. Distressing Language expertly weaves together modern poetry and fiction, popular
      culture, sign language art, theory, politics, and history, and is often as funny as it is profound.

      * Christopher Krentz, author of Writing Deafness: The Hearing Line in Nineteenth-Century American Literature *

      A highly original account of language, meaning, and sound, all framed through hearing loss. In
      Davidson’s account, meaning and value come from things not working the way they are
      supposed to. But rather than fetishizing technical glitch or aesthetic failure, he processes
      meaning through a disability hermeneutic. Throughout Distressing Language, the lines between
      poetry, sound art, and music are intentionally blurred and violated, while the meaning of sound is
      foregrounded as something especially important for those who have limited access to it.

      * Jonathan Sterne, McGill University *

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