Description

While many works on Hitchcock either openly reject psychoanalysis or utilize it only casually or peripherally, Dial 'M' for Mother: A Freudian Hitchcock is the first book-length study to consistently and systematically apply a Freudian psychoanalytic approach to a number of Hitchcock's major films (Shadow of a Doubt, Rear Window, Vertigo, North by Northwest, Psycho, The Birds, Marnie, Frenzy). Central to this book is the author's analysis of a 'mother complex' that informs not only the major male and female characters of these and other Hitchcock films but their plot, formal structure, and visual, cinematic artistry as well. According to the author, the genius of Hitchcock is inseparable from the director's unrelenting adherence to the 'darker side' of our unconscious fears and fascinations, and in its unwillingness to veil this exploration of the Freudian Unconscious with Hollywood's and society's denial of such truths.

Dial 'M' for Mother: A Freudian Hitchcock

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Hardback by Paul Gordon

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Short Description:

While many works on Hitchcock either openly reject psychoanalysis or utilize it only casually or peripherally, Dial 'M' for Mother:... Read more

    Publisher: Fairleigh Dickinson University Press
    Publication Date: 01/04/2008
    ISBN13: 9781611473582, 978-1611473582
    ISBN10: 1611473586

    Number of Pages: 256

    Non Fiction , Politics, Philosophy & Society

    Description

    While many works on Hitchcock either openly reject psychoanalysis or utilize it only casually or peripherally, Dial 'M' for Mother: A Freudian Hitchcock is the first book-length study to consistently and systematically apply a Freudian psychoanalytic approach to a number of Hitchcock's major films (Shadow of a Doubt, Rear Window, Vertigo, North by Northwest, Psycho, The Birds, Marnie, Frenzy). Central to this book is the author's analysis of a 'mother complex' that informs not only the major male and female characters of these and other Hitchcock films but their plot, formal structure, and visual, cinematic artistry as well. According to the author, the genius of Hitchcock is inseparable from the director's unrelenting adherence to the 'darker side' of our unconscious fears and fascinations, and in its unwillingness to veil this exploration of the Freudian Unconscious with Hollywood's and society's denial of such truths.

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