Description

Book Synopsis
In what ways can teachers build on youth culture to improve learning opportunities in the classroom?

In this fascinating and highly readable collection, Korina M. Jocson brings together more than two dozen scholars, artists, educators, and youth workers to illustrate how nondominant youth can be engaged through various social justice arts projects.

These projects range not only in type (media, digital art, playwriting, and hip-hop) but also location (California, Wisconsin, New Mexico, Cuba, and Australia, among others) to reflect the wide range of possibilities for tapping into contemporary youth culture.

The projects described are part of an emerging field that examines the benefits of youth participation in literary, digital media, and civics-related projects within schools and in a variety of informal environments.

Trade Review
In Cultural Transformations, Jocson and her colleagues have created a truly invaluable resource. In these chapters, readers will learn that there is a broad array of cultural resources, typically located outside of school, that can be drawn upon to tap into the interests and passions of their students.”
—Pedro A. Noguera, Peter L. Agnew Professor of Education, New York University

Table of Contents
CONTENTS

Introduction: Cultural Transformations 1

1 “Barely Audible”: A Remix of Poetry and Video as Pedagogical Practice 13
Korina M. Jocson, with Eli Jacobs-Fantauzzi

2 Life Is Living: An Arts Festival Focused on Healing, Community Collaboration, and the Creative Ecosystem 33
Marc Bamuthi Joseph and Brett Cook

3 “I Am That Character”: Playmaking and Listening to Voices of Formerly Incarcerated Youth 53
Maisha T. Winn

4 Representing Self Through Media: Supporting Transitions to College with Digital Self-Representations 79
Michelle B. Bass and Erica Rosenfeld Halverson

5 Imaging and Reimaging Internships: Immigrant Youth, Community-Based Research, and Cultural Transformation 97
Lisa (Leigh) Patel and Alexander Gurn, with Melissa Dodd, Sung-Joon Pai, Vanessa Norvilus, Eun Jeong Yang, and Roci´o Sanchez Ares

6 Pedagogies of Race: Teaching Black Male Youth to Navigate Racism in Schools 115
Na’ilah Suad Nasir, Alea Holman, Maxine McKinney deRoyston, and Kihana Miraya Ross

7 “It Is Best to Know Who You Are Through Your Culture”: Transformative Educational Possibilities for Native American Youth 139
Tiffany S. Lee and Nancy Lo´pez

8 In the MAC: Creating Safe Spaces for Transgender Youth of Color 165
Ed Brockenbrough and Toma´s Boatwright

9 En Mi Barrio: Building on Cuban Youth Culture, Hip-Hop, and Reggaeto´n 183
Ezekiel Dixon-Roma´n and Wilfredo Gomez

10 Documenting Youth Engagement with Digital Music Production in Australia 203
Andy Brader and Allan Luke

Afterword: Shirley Brice Heath 227
Notes 233
Acknowledgments 253
About the Editor 257
About the Contributors 259
Index 267

Cultural Transformations: Youth and Pedagogies of Possibility

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    A Paperback by Korina M. Jocson, Shirley Brice Heath

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      View other formats and editions of Cultural Transformations: Youth and Pedagogies of Possibility by Korina M. Jocson

      Publisher: Harvard Educational Publishing Group
      Publication Date: 30/10/2013
      ISBN13: 9781612506142, 978-1612506142
      ISBN10:

      Description

      Book Synopsis
      In what ways can teachers build on youth culture to improve learning opportunities in the classroom?

      In this fascinating and highly readable collection, Korina M. Jocson brings together more than two dozen scholars, artists, educators, and youth workers to illustrate how nondominant youth can be engaged through various social justice arts projects.

      These projects range not only in type (media, digital art, playwriting, and hip-hop) but also location (California, Wisconsin, New Mexico, Cuba, and Australia, among others) to reflect the wide range of possibilities for tapping into contemporary youth culture.

      The projects described are part of an emerging field that examines the benefits of youth participation in literary, digital media, and civics-related projects within schools and in a variety of informal environments.

      Trade Review
      In Cultural Transformations, Jocson and her colleagues have created a truly invaluable resource. In these chapters, readers will learn that there is a broad array of cultural resources, typically located outside of school, that can be drawn upon to tap into the interests and passions of their students.”
      —Pedro A. Noguera, Peter L. Agnew Professor of Education, New York University

      Table of Contents
      CONTENTS

      Introduction: Cultural Transformations 1

      1 “Barely Audible”: A Remix of Poetry and Video as Pedagogical Practice 13
      Korina M. Jocson, with Eli Jacobs-Fantauzzi

      2 Life Is Living: An Arts Festival Focused on Healing, Community Collaboration, and the Creative Ecosystem 33
      Marc Bamuthi Joseph and Brett Cook

      3 “I Am That Character”: Playmaking and Listening to Voices of Formerly Incarcerated Youth 53
      Maisha T. Winn

      4 Representing Self Through Media: Supporting Transitions to College with Digital Self-Representations 79
      Michelle B. Bass and Erica Rosenfeld Halverson

      5 Imaging and Reimaging Internships: Immigrant Youth, Community-Based Research, and Cultural Transformation 97
      Lisa (Leigh) Patel and Alexander Gurn, with Melissa Dodd, Sung-Joon Pai, Vanessa Norvilus, Eun Jeong Yang, and Roci´o Sanchez Ares

      6 Pedagogies of Race: Teaching Black Male Youth to Navigate Racism in Schools 115
      Na’ilah Suad Nasir, Alea Holman, Maxine McKinney deRoyston, and Kihana Miraya Ross

      7 “It Is Best to Know Who You Are Through Your Culture”: Transformative Educational Possibilities for Native American Youth 139
      Tiffany S. Lee and Nancy Lo´pez

      8 In the MAC: Creating Safe Spaces for Transgender Youth of Color 165
      Ed Brockenbrough and Toma´s Boatwright

      9 En Mi Barrio: Building on Cuban Youth Culture, Hip-Hop, and Reggaeto´n 183
      Ezekiel Dixon-Roma´n and Wilfredo Gomez

      10 Documenting Youth Engagement with Digital Music Production in Australia 203
      Andy Brader and Allan Luke

      Afterword: Shirley Brice Heath 227
      Notes 233
      Acknowledgments 253
      About the Editor 257
      About the Contributors 259
      Index 267

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