Description

Book Synopsis

Cosplayers: Gender and Identity is an examination of identity practices in cosplay, as expressed by cosplayers themselves. It challenges the assumed correlation between cosplay and cosplayer identity and considers the lived experiences of cosplayers engaging in the fan practice of sartorial performance.

Through a series of chapters covering the blurring lines of gender, sexualized fantasy in real spaces, and nostalgia, the author argues that observational data run the risk of affirming normative expectations of identity in the absence of cosplayer narratives, and produce misreadings that generalize. The work develops and builds an understanding of a complex cultural system of art, engaging with multiple methodologies to make identity, fandom, and critical analysis on the parts of participants and observers alike.

This is an accessible and innovative study suitable for scholars and students in gender studies, cultural studies, sexuality studies, sociology, and

Table of Contents

1 All the Con’s a Stage: A Study of (Cos)Players; 2 Man Describes Not Me, Nor Woman Neither: Cosplayers and the Fiction of Gender; 3 On Bodies and Boundaries: Regulating Fantasy in Real Spaces; 4 Manning the Gates: Minority Identities and Gatekeeping in Cosplay; 5 The Cosplay’s the Thing

Cosplayers

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    £21.05

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    Order before 4pm today for delivery by Thu 25 Jun 2026.

    A Paperback by A. Luxx Mishou

    15 in stock


      View other formats and editions of Cosplayers by A. Luxx Mishou

      Publisher: Taylor & Francis Ltd
      Publication Date: 1/9/2023 12:00:00 AM
      ISBN13: 9780367715991, 978-0367715991
      ISBN10: 0367715996

      Description

      Book Synopsis

      Cosplayers: Gender and Identity is an examination of identity practices in cosplay, as expressed by cosplayers themselves. It challenges the assumed correlation between cosplay and cosplayer identity and considers the lived experiences of cosplayers engaging in the fan practice of sartorial performance.

      Through a series of chapters covering the blurring lines of gender, sexualized fantasy in real spaces, and nostalgia, the author argues that observational data run the risk of affirming normative expectations of identity in the absence of cosplayer narratives, and produce misreadings that generalize. The work develops and builds an understanding of a complex cultural system of art, engaging with multiple methodologies to make identity, fandom, and critical analysis on the parts of participants and observers alike.

      This is an accessible and innovative study suitable for scholars and students in gender studies, cultural studies, sexuality studies, sociology, and

      Table of Contents

      1 All the Con’s a Stage: A Study of (Cos)Players; 2 Man Describes Not Me, Nor Woman Neither: Cosplayers and the Fiction of Gender; 3 On Bodies and Boundaries: Regulating Fantasy in Real Spaces; 4 Manning the Gates: Minority Identities and Gatekeeping in Cosplay; 5 The Cosplay’s the Thing

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