Description

Book Synopsis
The book discusses the role of art in architecture with a particular focus on colour and the dynamic relationships between light, form, material surface, space and movement. Drawing on historical examples to establish recurring themes, it examines the work of artists and architects whose use of colour is informed by artistic practice. Engagingly written and beautifully illustrated, it is divided into three main sections: the first focusing on architecture, the second on the artworks and the final section on collaboration. Throughout, it bridges time, insightfully comparing historic artworks and spaces with contemporary ones, addressing key questions such as 'if an artwork is self-sufficient, how is this accommodated within an architectural setting without compromising both?' and setting out examples of what does and doesn’t work.

Table of Contents
1. Introduction. Section 1: The Architecture. 2. Surface Tensions; 3. Architects as Spatial Painters. Section 2: The Artwork. 4. Pictorial Space 5. Ethereal Material: Colour, Light and Material Surface. 6. The Artists’ Perspective. 7. Collaborative Practices. 8. Constructing the inseparable: A House for Essex. 9. Reflections on Art in Architecture. Notes. Bibliography

Colour Beyond the Surface: Art in Architecture

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    A Hardback by Fiona McLachlan

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      Publisher: Lund Humphries Publishers Ltd
      Publication Date: 08/09/2022
      ISBN13: 9781848225701, 978-1848225701
      ISBN10: 1848225709

      Description

      Book Synopsis
      The book discusses the role of art in architecture with a particular focus on colour and the dynamic relationships between light, form, material surface, space and movement. Drawing on historical examples to establish recurring themes, it examines the work of artists and architects whose use of colour is informed by artistic practice. Engagingly written and beautifully illustrated, it is divided into three main sections: the first focusing on architecture, the second on the artworks and the final section on collaboration. Throughout, it bridges time, insightfully comparing historic artworks and spaces with contemporary ones, addressing key questions such as 'if an artwork is self-sufficient, how is this accommodated within an architectural setting without compromising both?' and setting out examples of what does and doesn’t work.

      Table of Contents
      1. Introduction. Section 1: The Architecture. 2. Surface Tensions; 3. Architects as Spatial Painters. Section 2: The Artwork. 4. Pictorial Space 5. Ethereal Material: Colour, Light and Material Surface. 6. The Artists’ Perspective. 7. Collaborative Practices. 8. Constructing the inseparable: A House for Essex. 9. Reflections on Art in Architecture. Notes. Bibliography

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