Description
Book SynopsisTrade ReviewTo get it out of the way: these are
the best books I have read this year ...
Childhood has the simple declarative sentences of Natalia Ginzburg and the pervasive horror of a good fairy story -- John Self * New Statesman *
Mordant, vibrantly confessional...
A masterpiece * Guardian *
Semi-miraculous, raw and poignant ... Radiates the clear light of truth and stands as the ultimate victory of a life that must have felt, in the living of it, like a defeat -- Alex Preston * Observer *
Intense, elegant ... Ditlevsen's portrait of Vesterbro in the Twenties has something of the same texture of Elena Ferrante's description of the poor Neapolitan neighbourhood in which her heroines grow up -- Lucy Scholes * The Daily Telegraph *
Wrenching sadness and pitch-black comedy ... Sharp, tough and tender -- Boyd Tonkin * Spectator *
A particular kind of masterpiece, one that helps fill a particular kind of void. Ditlevsen's voice, diffident and funny, dead-on about her own mistakes, is a welcome addition to that canon of women who showed us their secret faces so that we might wear our own. * New York Times *
Intense and elegant ... an absolute tour de force -- Lucy Scholes * Paris Review *
A stunning portrait of addiction and ambition . . . unnervingly brilliant. I felt an almost physical pull to reimmerse myself in the freezing cold water of the trilogy, which understands the trauma of childhood and its reverberations like nothing else I have ever read * Vox *
Ditlevsen's taut, simple prose shines a light on what life and love were like for working-class women in 20th century Copenhagen. Elena Ferrante fans, take note * Stylist *
Despite the darkness that haunts these three books, they shine with Ditlevsen's honesty and humanity ... Her work, seemingly so simple, has the miraculous quality of a life perceived in perfect clarity. Despite the author's untimely death,
The Copenhagen Trilogy is a powerful - and uplifting - testament of survival -- Erica Wagner
As in much of the best autofiction, the protagonist's weakness is counterpoised by the strength of her voice ... [Ditlevsen speaks] beyond the cruel and disappointing figures she encounters to us, her readers, awaiting her in another time and another place -- Lara Feigel * Guardian *
A punishing, addictive pleasure -- Amber Husain * The White Review *
Desperately affecting * New Statesman *
Astonishing * Telegraph *
Exceptional ... Her writing is impelled not only by her fine intelligence, but also by a rare focus: the compulsion to tell a particular story, and only that story * Times Literary Supplement *
