Description
Book SynopsisExamining recent changes in the once stable genre of doctoral thesis and dissertation writing, this book explores how these changes impact on the nature of the doctoral thesis/dissertation itself. Covering different theories of genre, Brian Paltridge and Sue Starfield focus on the concepts of evolution, innovation and emergence in the context of the production and reception of doctoral theses and dissertations.
Specifically concerned with this genre in the humanities, social sciences and visual and performing arts, this book also investigates the forces which are shaping changes in this high-stakes genre, as well as those which act as constraints. Employing textography as its methodological approach, the book provides multiple perspectives on the ways in which doctoral theses and dissertations are subject to forces of continuity and change in the academy. Analyses of the new humanities' doctorate, professional doctorates, practice-based doctorates, and the doctorate b
Trade Review
This is a book that should be of interest to anyone seeking an in-depth understanding of the moving target we call the PhD thesis/dissertation genre in all its rapidly morphing, increasingly multimodal, disciplinarily diverse and complex manifestations. -- Diane D. Belcher, Georgia State University, USA
Table of Contents
List of Figures List of Tables Acknowledgments 1. Introduction 2. The Doctoral Thesis/Dissertation as an Evolving Genre 3.Investigating Change and Stability in Doctoral Theses and Dissertations 4. The Evolution of Thesis and Dissertation Types 5. The ‘New Humanities’ PhD 6. Professional Doctorates 7. Practice-based Doctoratesin the Visual Arts 8. Practice-based Doctorates in Music 9. Doctorates by Publication 10. Genre Evolution in Thesis and Dissertation Writing References Appendix Index
