Description
Book SynopsisTrade Review"The book's clear, accessible prose and pop culture subject matter will appeal to both lay readers and scholars who want to explore Black joy, creativity, and entrepreneurship in American culture. . . . Recommended." --
Choice"A compelling analysis of the role American Black women have played in consumerism and popular culture, focusing on the 1960s to now. " --
Business Insider "Important and accessible, Dr. Halliday’s latest book expertly examines Black women as cultural producers and consumers and their subsequent, undeniable influence on popular culture. " --Ms. Magazine
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Buy Black offers an important and well-argued consideration of the Black women cultural producers who, in an effort to subvert a misogynoiristic system, sometimes traffic in the very stereotypical practices they wish to upend. Halliday’s concept of ‘embodied objectification’ helps to make clear our own investments in consumer capitalism and prompts us to be more circumspect about our participation as a means to some ultimately unsatisfying end.”--Moya Bailey, author of
Misogynoir Transformed: Black Women’s Digital Resistance "Halliday's courageous and informative concentrations will help shape a new understanding of underrepresented Black women and girls. She has much to offer as a powerful thinker and scholar." --
New York Amsterdam News"A brilliant and meticulously researched exploration of how ideas about representing blackness have been essential to the story of American consumerism and popular culture. In uncovering how Black women have transformed corporate discourses of multiculturalism and diversity by inserting their own imaginations, capabilities, and desires,
Buy Black provides an extraordinary feminist reading of the role of race, gender, and class in the American consumer product industry. Aria Halliday’s book is essential reading."--Mireille Miller-Young, author of
A Taste for Brown Sugar: Black Women in Pornography "A compelling analysis of the role American Black women have played in consumerism and popular culture, focusing on the 1960s to now. " --
Business Insider"Important and accessible, Dr. Halliday’s latest book expertly examines Black women as cultural producers and consumers and their subsequent, undeniable influence on popular culture. " --
Ms. Magazine "In focusing on Black women as culture-makers, the book provides a uniquely important view as to the ways that Black women's ingenuity and entrepreneurship have been largely overlooked in understanding these questions. I was consistently impressed with the author's ability to cast a wide net that moves across many topics, while keeping it all held together so that the shape and fit seem right."--Elizabeth Chin, author of
My Life with Things: The Consumer DiariesTable of ContentsList of Figures vii
Acknowledgments ix
Introduction: The Making of Black Womanhood 1
1. Theorizing Black Women’s Cultural Influence through Consumption 17
2. From Riots to Style: The History of Black Barbie 47
3. From Bootstraps to Glass Slippers: Black Women’s Uplift in Disney’s Princess Canon 79
4. A Black Barbie’s Moment: Nicki Minaj and the Struggle for Cultural Dominance 111
Coda: The Stakes of Twenty-First-Century Black Creativity 143
Notes 153
Bibliography 165
Index 181
