Description
Book SynopsisCharting the development of jazz photography from the swing era of the 1930s to the rise of black nationalism in the '60s, this title offers an account of the partnership between two of the twentieth century's innovative art forms. It introduces us to the great jazz photographers - including Gjon Mili, William Gottlieb, Herman Leonard, and more.
Trade Review"Benjamin Cawthra, writing with grace and a formidable command of jazz history and American culture, makes us see the sounds, the social relations, and the myths of jazz as he ably uncovers the personal and institutional networks of musicians, writers, magazines, and record companies in which jazz photography developed. Even as Blue Notes in Black and White casts a sharp eye on photographic aesthetics, it also works as a groundbreaking history of jazz criticism. At its best, this excellent book serves as a model for a multisensory music criticism: while reading it, I often felt I was hearing the music more deeply." -John Gennari, author of Blowin' Hot and Cool: Jazz and Its Critics"
