Description

Book Synopsis
Over the years, the US has been fighting wars so far from the public eye as to risk being forgotten, the struggles and sacrifices of its volunteer soldiers almost ignored. This book features images that depict the bedrooms of forty fallen soldiers - the equivalent of a single platoon - from the US, Canada, and several European nations.

Trade Review
"The need to see America's twenty-first-century war dead, and to make them seen-to give their absence presence-has consumed Ashley Gilbertson for much of the past decade.... To picture death, Gilbertson decided to picture how and where the dead had lived. He set about photographing their bedrooms, many of which had been preserved by their families in much the same spirit that Gilbertson preserved them with his camera: as memorials.... But taken together, these photographs defy any effort to seek in a room's furnishings an echo of its former occupant's fate. Their power lies in reminding us of the disconnect between life and death." (Philip Gourevitch, from the foreword)"

Bedrooms of the Fallen

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    A Hardback by Ashley Gilbertson, Philip Gourevitch

    £29.45

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    RRP £31.00 – you save £1.55 (5%)

    Order before 4pm today for delivery by Mon 21 Sep 2026.

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      Book details

      Publisher The University of Chicago Press
      Published 27 June 2014
      ISBN-13 9780226066868
      978-0226066868
      ISBN-10 022606686X
      Also in:
      Photography and photographs Military history: post-WW2 conflicts Specific wars and military campaigns

      Description

      Book Synopsis
      Over the years, the US has been fighting wars so far from the public eye as to risk being forgotten, the struggles and sacrifices of its volunteer soldiers almost ignored. This book features images that depict the bedrooms of forty fallen soldiers - the equivalent of a single platoon - from the US, Canada, and several European nations.

      Trade Review
      "The need to see America's twenty-first-century war dead, and to make them seen-to give their absence presence-has consumed Ashley Gilbertson for much of the past decade.... To picture death, Gilbertson decided to picture how and where the dead had lived. He set about photographing their bedrooms, many of which had been preserved by their families in much the same spirit that Gilbertson preserved them with his camera: as memorials.... But taken together, these photographs defy any effort to seek in a room's furnishings an echo of its former occupant's fate. Their power lies in reminding us of the disconnect between life and death." (Philip Gourevitch, from the foreword)"

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