Description
Book SynopsisExamines the place of rhetoric in John Locke’s political and philosophical thought. Traces the close ties between rhetoric and experience as they form the basis for a theory and practice of judgment at the center of his work.
Trade Review“Many canonical authors in political theory have been read with fresh, even radical, insights in the past decade, but Locke seems to be particularly resistant to such rereadings. In Authority Figures, Torrey Shanks has managed to pull this off. She does so by reading Locke as an ‘Epicurean materialist’—that is, as someone with an appreciation for the unexpected, the unpredictable, and the unforeseen. Shanks demonstrates that Locke practices a set of rhetorical strategies that reflect and enact this Epicurean materialism in his texts. Once you start to read Locke in this way, everything changes, becoming deeply contingent. The rigid and unyielding Locke whom we all grew up reading becomes an altogether different figure—a difference with important consequences for how we read Locke politically.”
—James Martel,San Francisco State University
“Authority Figures offers an original and provocative account of Locke by focusing on his use of metaphors and rhetorical figures. Torrey Shanks addresses several central themes in political and social theory—the place of rhetoric in political thought, the importance of creativity in critique, the role of rationality in judgment and consent, and the use of authority in maintaining as well as critiquing order—as she traces the revolutionary implications of Locke's use of language. This is a book that should be of interest to a wide range of social and political theorists.”
—Douglas Casson,St. Olaf College
“Authority Figures is a real achievement of interdisciplinary scholarship, revealing how rhetoric and early modern Epicurean materialism informed Locke's conceptions of authority, contract, and reason. In Torrey Shanks's elegant and nuanced account, Locke's use of figural and imaginative language becomes exemplary in the most instructive sense of the word, illustrating the inventive dynamics and sensibilities of politics. This genuinely new interpretation of Locke persuasively makes the case for attending to rhetoric, imagination, and affect in his political and philosophical thought.”
—Vicki Hsueh,Western Washington University
“Shanks has offered an intriguing, inventive, and provocative re-reading of Locke and his modes of persuasion and political engagement. She has illustrated some of the power of refigurative rhetoric in the work of critique.”
—Ted H. Miller Project Muse
Table of ContentsPreface
Acknowledgements
Chapter 1: Rhetoric and Situated Political Critique
Chapter 2: The Claim to Experience
Chapter 3: Sensible Judgment
Chapter 4: Feminine Figures and the Rhetoric of Critique
Chapter 5: The Matter of Consent
Conclusion: Critical Temporalities
Bibliography
