Description
Book SynopsisAs Best We Can, Jeffrey Wainwright's seventh collection, marks a change of key for the poet. After the elegiac tone of The Reasoner (2016), the poems and sequences included here settle for the poet's present world. They listen to what dreams have to tell, and (with humour underwriting their concentration) they worry at the labour and release of creative work. As always in Wainwright, history - personal and political - is alive in the present. The rendering of simple elements in 'The Window-Ledge', without commentary, is among his most lucid and radical poems. By effacing the 'I' he shares experience most fully with the reader, making and sharing a place.
Trade Review'Jeffrey Wainwright's work is among the most interesting of any poet now writing. Although he has an admiring readership, he has stayed under the radar much of the time, pursuing a line of poetic inquiry that links him to writers as various as Geoffrey Hill, Roy Fisher, Tony Harrison and even Charles Tomlinson (who like Wainwright was from the Potteries) - all of them in various ways historian-poets. Wainwright's particular imprint is a richly charged austerity, an ostensible plainness that, like a powerful magnet, summons suggestions to the page and the ear. Part of the pleasure of reading his work is trying to establish how he does so much by such apparently unspectacular means. An equally unobtrusive formal assurance has much to do with his success.' - Sean O'Brien, The Guardian
