Description

Book Synopsis

Decades’ worth of images have been distilled down to 512 pages of photographs in this ultimate retrospective collection of Nobuyoshi Araki's work, selected by the artist himself. First published as a Limited Edition and now back in a new format to celebrate TASCHEN’s 40th anniversary, the curation delves deep into Araki’s best-known imagery: Tokyo street scenes; faces and foods; colorful, sensual flowers; female genitalia; and the Japanese art of kinbaku, or bondage. As girls lay bound but defiant and glistening petals assume suggestive shapes, Araki plays constantly with patterns of subjugation and emancipation, death and desire and with the slippage between serene image and shock. Describing his bondage photographs as “a collaboration between the subject and the photographer”, Araki seeks to come closer to his female subjects through photography, emphasizing the role of spoken conversation between himself and the model. In his native Japan, he has attained cult status for many women who feel liberated by his readiness to photograph the expression of their desire.



Trade Review
“An exceptional work of a genius artist.” * Japan Mania *
“This book reveals everything about me. Photography is love and death—that’ll be my epitaph.” * Nobuyoshi Araki *

Araki. 40th Ed.

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Order before 4pm today for delivery by Wed 17 Dec 2025.

A Hardback by Nobuyoshi Araki

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    View other formats and editions of Araki. 40th Ed. by Nobuyoshi Araki

    Publisher: Taschen GmbH
    Publication Date: 06/10/2020
    ISBN13: 9783836582520, 978-3836582520
    ISBN10: 383658252X

    Description

    Book Synopsis

    Decades’ worth of images have been distilled down to 512 pages of photographs in this ultimate retrospective collection of Nobuyoshi Araki's work, selected by the artist himself. First published as a Limited Edition and now back in a new format to celebrate TASCHEN’s 40th anniversary, the curation delves deep into Araki’s best-known imagery: Tokyo street scenes; faces and foods; colorful, sensual flowers; female genitalia; and the Japanese art of kinbaku, or bondage. As girls lay bound but defiant and glistening petals assume suggestive shapes, Araki plays constantly with patterns of subjugation and emancipation, death and desire and with the slippage between serene image and shock. Describing his bondage photographs as “a collaboration between the subject and the photographer”, Araki seeks to come closer to his female subjects through photography, emphasizing the role of spoken conversation between himself and the model. In his native Japan, he has attained cult status for many women who feel liberated by his readiness to photograph the expression of their desire.



    Trade Review
    “An exceptional work of a genius artist.” * Japan Mania *
    “This book reveals everything about me. Photography is love and death—that’ll be my epitaph.” * Nobuyoshi Araki *

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